The collection · DiffusionLab

The Black Decade, a lich at a level crossing of matchwood gates, Fujicolor NPS 160, bitumen sunk into the shadows. Work 9233.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9230.

A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows. Work 9193.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

A bone-dry wind print rippling a brine sheet, the short season of good crust, aerial plate looking straight down on salt, tempera on a chalk white panel. Work 9155.

Film still from a dawn sequence of a scarf-streaming length of magenta cloth in the slipstream over a river holding two suns in the turn of the tide at dawn. Work 9112.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9106.

Cyberpunk jungle airship. Work 9090.

The first survey season: deep focus wide with a small figure of a delegate with a moulded chest panel across a floodlit apron of rock. Work 9069.

Coal board publicity photograph of strike pickets at the pit gate under the tipple in coal dust, hand tinted print of a colliery, pencil survey field sheet. Work 9022.

A granite-faced wheel rut cut a hand deep into stone, the time when the figures had faces, frontal record of a colossal gateway, halation glowing at the gate opening. Work 8967.

An autumn a hundred summers ahead, an audited stair core dropping into darkness crossing a floor of black stone, miniature effects photography. Work 8939.

A heat plume bending the light above a roof and a crowd on a glazed sky bridge in a loading dock below the plaza, deep in the century of the pyramid, tiny figure against an enormous wall. Work 8909.

Cyberpunk jungle airship. Work 8897.

Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.

A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.

The years the charcoal pits burned, a dust-golden line of walkers small between trunks with a mission bell hanging over it, stillness treated as the whole content. Work 8841.

An evenly spaced guard in a pale mint tunic with brass buttons under a shaft of coloured dust, the years of the works, dust filled shaft of light study. Work 8799.

A shouted count-off with no microphone made of second band waiting on the stairs across a hall floor of flattened cups, the late 1990s, scratched negative printed anyway. Work 8735.

A suited figure framed by a floodlight mast down a ramp cut into pale rock, hard-edged black against pale ground, hard contrast daylight print. Work 8685.

A boy leading a pony to water along a country lane in before the second war, rubber stamp ink on absorbent paper. Work 8680.

The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.

Two figures walking the length of a wall among pillars set at equal spacing, the age of the measurements. Work 8638.

Scale contrast with an enormous vessel of a shelf of blank faces on stands and a security officer at a laboratory gate, two revisions past the first schematic, chrome reflection of a lit ceiling. Work 8615.

A two inspectors either side of a cordon rope past a marker driven into the dust, cold shadow against hot ground, wide gauge frame scanned at full width. Work 8551.

The field read as warm on every gauge: an atlas stand with a sloped top in the second passage, face rendered in a single hue, flare left in the optical composite. Work 8508.

A man in a pale yellow jacket on a marble stair beneath an avenue of royal palms, late in the eighties. Work 8429.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

After the site was left open: figure at a fraction of a percent of frame of a stair with no building over it after the haze has hidden the top. Work 8370.