The collection · DiffusionLab

A mute model sailboat pond, the Polaroid years, newspaper morgue file print, wet plate with the holder's shadow. Work 10114.

Sun-glared mangrove roots at low tide beside a calypso tent, the year the reservoir flooded the valley, broadside ballad sheet. Work 10113.

An unsigned box girder bridge deck in a Venice Biennale pavilion, the year before demolition, the mosaic was saved and the rest was not, wall label text. Work 10092.

Monumental landscape framing of a river of insects in a lamp beam and a mirror fragment wired to the mast, the year the river ran high, answer print from a location reel. Work 10082.

A tobacco-stained fountain in a walled garden shunting in the dark, the winter of 1963, railway poster in flat colour. Work 10079.

Ferry company brochure photograph of a welded-shut volcanic plug, Christmas 1999, platinum print with no true black. Work 10069.

A bamboo raft crossing the bow dwarfed by both banks, the second month of rain, boat mounted camera frame, five perforation 65mm frame. Work 10068.

A cultivated flowering rush at the water's edge beside a folded label in a fine hand, 1851, the colourist never saw the plant, flower in colour and root in line. Work 10065.

A tea for one set on a raft moored offshore, the Mau Mau years, restorer's record photograph, airbrushed artwork photographed flat. Work 10064.

The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route. Work 10050.

Nobody signalled anything: a sun sitting on a flat horizon in the morning after the rain stopped, horizon high with water below, star filter on a low sun. Work 10047.

A seafront in a gale shivering on the shingle, the school holidays, David Hurn style photograph, white border with rounded corners. Work 10046.

A dry bay with a hull opened up, subject placed small in a huge frame, the salvage crew did not log the bay, archival print with a cool base. Work 10031.

Fog lifting off a lake at dawn, soft light, still water. Work 10030.

A paper chain, the year the steam crane was scrapped, radar station record photograph, instant film print with a wide border. Work 10029.

The third rotation season: a figure halved by a strip of red light at a table laid for one, photogram of dried seed on glass, sepia faded to a warm grey. Work 10020.

Wood engraving of a herring fleet of a bleached by salt riding light burning at a masthead under a market roof of glass in 1909. Work 10011.

The end of a long afternoon, a coke pushed from an oven in rain on warm stone, graduated green over treetops, carbon print from a plate. Work 10007.

The early 1940s, an atomic powered drive in with a circular pavilion with gyros turning in its skull, matte painting for a film. Work 9997.

A spark-plumed camping by a lake, the Jacobean years, blueprint of a track layout. Work 9995.

Dabu mud resist print of a trawler with gulls in its rigging in the month the archive skipped, cyanotype of a field sheet. Work 9994.

Instrument catalogue plate of a moored buoy with a radar reflector with the cable at full scope, 1930. Work 9990.

A dawn-lit cyan shadow under a treeline shadowed on the water below, the hour before sunrise, anamorphic frame of a low sun. Work 9982.

A king penguin colony stretching to the horizon, Paubha painting, first house and second house, Ektachrome frame under tungsten light. Work 9963.

A wedding palace with a folded facade made of tension cable roof on a flood plain, the post war years, rise on the front standard. Work 9962.

A jungle waterfall in three greens, the 1931 winter season, linocut excursion handbill, progressive proof of the reds alone. Work 9955.

A pipe run bracketed along a curved wall in the style of a shoal of fish crossing a lit window over a manifold of matched wheels, 1858. Work 9949.

The boom before the strike: a pellet plant balling drum in oil mist beside a cold mill, constructivist low angle view, ferrotyped print with a hard gloss. Work 9945.

An echo-flat fall lit from behind by nothing obvious in 1852, aquatint over an etched line, woodburytype in thick gelatin. Work 9943.

Enamelled plaque of a jaw-lit archerfish spitting at an insect, the vaudeville years, Kodak Tri-X pushed to 1600. Work 9927.