The collection · DiffusionLab

Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9007.

A twin pyramids joined by a lit bridge at the foot of a four hundred metre flank, the age when the board outlived the state. Work 8959.

Flat areas of ochre and slate blue of a pond yacht with a broken mast in a rack of air cylinders, Perutz C14, half-frame 18 by 24. Work 8942.

A sand barge under a taut grey sail over a buried station roof, architectural rendering in flat light, flare cutting right across the glare. Work 8941.

The week the moat filled: chalk-numbered lily pads across a stone tank, colour timed toward magenta haze, colour crushed to stone and haze. Work 8911.

View taken from the far side of a vent of an undyed moss growing in the cracks of a flow across a field of black lava in the third winter of the survey. Work 8842.

The Algerian War years: a tugboat nudging a liner within a turning ring station, flat shaded polygon render, bulb flash on a dark terrace. Work 8793.

A puddle holding a green sky photographed as a hands whitened to the wrist, monumental jungle framing, wet gate dupe of a scratched reel. Work 8761.

A rain-beaded layer of smoke held between the banks past a leaning channel marker, the long upstream summer, film still from a river sequence. Work 8694.

Underground industrial film still of a hand-spliced dust filter caked and dripping, the decade after the flood gates shut, hand-held at a very wide aperture. Work 8684.

Fog lifting off a lake at dawn, soft light, still water. Work 8678.

A rock outcrop with salt at its foot, the hottest fortnight of a dry year, reportage frame held very wide, exposure taken for the reflected light. Work 8646.

A sun disc doubled in the river and a fisherman standing in a narrow canoe, scale study of a boat and a bank, wet gate printed dupe. Work 8641.

A passionflower under coloured haze in the age of steam and iron, harbour webcam still, a staple hole in the corner. Work 8607.

A drum of diesel with a hand pump backed by a sun filling the frame, the slow years of the river trade, bleach bypass colour still, soft focus filter over the lens. Work 8599.

A bridge over a canal in a village schoolroom in late 1930s, two ink printing in green and black. Work 8586.

The years after the sluice failed, an unlucky bail jumper hiding in a cane field with the far bay lost in grey, near-monochrome greens with gold accents. Work 8576.

An incense stick burning on a jetty post and a boat and its shadow the only marks on the river under the bottom of a hull, 1864, monumental landscape framing. Work 8546.

1899: a night-lit forest of masts in a fishing dock, harbour board survey photograph, mixed lamp light and dawn. Work 8524.

A vine-hung bow of a river boat pushing brown water, the season of coloured smoke, deep focus widescreen frame, anamorphic lens rendering. Work 8514.

Tinted lantern slide of a terrace of a candlewick-covered mist filling a gorge under a bridge, an age before the roads, frame set from a tripod on the paving. Work 8471.

A mirror fragment wired to the mast dwarfed by both banks, the last dry season, scale study of a boat and a bank, sixteen millimetre reversal original. Work 8451.

No year the map admits to, an obsidian shelf glassy in flat light on a slope banded ochre and black, high resolution scan of a wide frame, lens wiped between every exposure. Work 8413.

A turf-hemmed sleeve widened into a shallow fin, the season the sheep came down, shutter slow enough to blur the vapour. Work 8411.

A classroom blues guitarist on a porch across a moat gone still, the year the reservoir flooded the valley, the programme was repeated, cold blue shadow against warm stone. Work 8391.

A laurel-wreathed bridge of three stone arches in the middle 1950s, worn stone losing the fine line, sulphur stain along the lower edge. Work 8305.

An ice auger turning in thick floe with two hundred miles to go, the mid 1920s, depot location sketch map, blue shadow across a snow field. Work 8263.

Real photo view print of a fleet of a fish train loading at a quay siding through the lock gates of a fish dock, flare from a deck light, quarter-plate negative from a hand camera. Work 8261.

Telephoto compression along a mill of an ore bridge over a stockyard, whole plate view camera negative, dry plate exposed by furnace light. Work 8215.

A tally of paces cut in a kerb and a road standing above a flooded plain, matte painting of a road across water, halation glowing at the gate opening. Work 8209.