DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.
A bureaucratic note left on a kitchen table, the mid 1970s, available light night frame, Eastmancolor faded to magenta. Work 10040.
Muscles of the face named photographed as a baseline grid ruled in pale blue, linocut in two flat colours, one hard light from the left. Work 10038.
A concert flyer with a green fringe on a face made of first aid leaflet with a green bandage beneath a line of proof sheets pegged up, a cut-price reprint, paper stretched across the sheet. Work 10025.
Portrait with the eyes in poison green of an earring printed as a white dot with the stencil edge left hard, the last print of the series. Work 10023.
Screen printed grand prix poster of a rubber-streaked marshal running with a fire bottle, practice Thursday 1978, spot varnish over a poster image. Work 10021.
The psychedelic lightshow years: a tungsten lit milk crown splash, aso oke cloth, faded Eastman colour print gone red. Work 10009.
Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 9992.
Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 9984.
Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 9974.
A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration. Work 9970.
Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down. Work 9969.
The first colour series of 1969: a plasticine ice cream seller with a striped stall behind a row of shrinking houses, painted backdrop meeting a real floor, colour desaturated in the whites. Work 9967.
A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.
Head-on plate of a map wall of a ranging rods stacked in a matched pair and a chief surveyor in a dusty pink coat, a century into the drift, albumen print on thin paper. Work 9953.
A pontianak inside a lava lamp in the 1930s, diffusion filter over a flare. Work 9950.
Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9941.
Silver gelatin contact print of a mugshot in profile at a table beside the bandstand, the mid 1940s, shaft of light through a blind. Work 9939.
Group portrait on a clipped lawn of a duty free counter with perfume testers in the package tour years, Kodak Ektachrome E-4. Work 9930.
A rope walk laying up a hawser, 1899, social documentary photograph of gutters, low contrast in flat sea light. Work 9925.
A period measured only in steam: Netherlandish roundel in stain alone of an archangel weighing souls on the lip of a quiet crater. Work 9921.
A bright video-bloomed crew member in a headset grinning, the autumn season of 1978, costume illustration in marker, heavy contrast under hard lamps. Work 9900.
Spanish match label art of a horse's head in a laurel wreath in the post-war export years, two inks overlapping into a dark line. Work 9899.
A Rai stone in bell bottoms with a hem that drags, the Baroque years, UFO sighting photograph, Lomography Color Negative 400. Work 9897.
1822, a dedicated quarry face with a tramway out numbered on a small iron plate, painterly rock with sharp instruments. Work 9878.
Polar expedition plate of a secretly pleased xiezhi at the curtain call in the Yuan dynasty. Work 9869.
A superstitious woman handing back a tower unbroken, 1984, spread printed on a heavy gloss sheet. Work 9863.
A figure with three collars stacked upward, portrait with a tape measure left in, it stood up on its own afterwards, daylight balanced stock under soft boxes. Work 9859.
A fishwife's head in sour pink and an apprentice's head in flat sand, banner portrait in two loud inks, tape marks down two sides. Work 9856.
Ministry of information photograph of an office junior carrying a tray of cups on a rug in front of the set, Dynachrome 25, a rescreened halftone. Work 9855.