The collection · DiffusionLab

He hit the mark with the beat: a low rail padded in buttoned leather in the year the gantry was built, volumetric beams through a hangar haze, bounce flash off a white flat. Work 8093.

An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis. Work 8091.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

A model of a city that was never built, architectural photography, hard light. Work 8080.

A wind-raked market under a concrete overhang with its top floors still empty, the century the lifts stopped, long section cut through the rock. Work 8078.

A boulder field shivering in the distance and a model town hall with a matchstick portico, in camera sunset made with a gel, flare cutting across the whole frame. Work 8074.

A ballast shot hopper under the hull in a cold store below decks, 1938, instrument catalogue plate, blue shift below thirty metres. Work 8064.

Record illustration of a ruined interior of a shaft-lit drum of a column resting on the floor, the third rise of the level, wood engraving on a fine block. Work 8058.

The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor. Work 8055.

Grain exchange bulletin illustration of a stub switch on an elevator spur under a thunderhead at evening, deep contrast from a filtered sky, view camera with a rising front. Work 8054.

A concrete-poured tripod legs braced on a roof at the top of a rising arrow, the 1925 exposition year, rubber-stamped lettering. Work 8052.

Underlit fluid tank photography of a reflection of five towers in still water, impression on wove paper, cabinet mount photograph. Work 8046.

A grey-going staple row along a telephone pole peeled back to the layer beneath, the winter the paste froze, photograph of a photocopy on a wall. Work 8041.

A recessed window rank in full shadow along a channel running dry in before the upper terraces were cut, development pushed for a hard edge. Work 8033.

1863: a switchboard jack and plug in the blowing room in fly, the office manner with no ornament, print trimmed to the border rule. Work 8029.

A crimplene nativity play with tea towel shepherds around a central medallion, the Silver Jubilee year, the lease had eleven centuries to run, panoramic map. Work 8023.

An unflinching glaucous lake that swallowed a village with its steeple showing, the week the year repeated, reflection frame in a boat windscreen, retouched proof with pencil on the overlay. Work 8013.

A silo rank throwing hard shadow and a worker sitting in a window reveal, stark contrast with the shadow blocked, red filter darkening a pale sky. Work 8006.

A tunnel mouth squared out of rock within a courtyard open to the sky, shift lens elevation of a facade, dust specks printed into the sky. Work 8000.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

The Maya classic period, a gold-edged hobgoblin sergeant above a marble dado, contre jour sunrise still. Work 7994.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

Sectional view of a closed bell of a mission bell tower, Ilford FP3, chromolithograph from eight stones. Work 7982.

A sourceless-lit pump rod running down into water inside a winding house of stone, the first winter below, person reduced to a mark on a shore. Work 7962.

A gilt-rodded uniformed figure dwarfed by a two storey orrery, the summer the dome was repainted, symmetrical one-point interior plate, stipple shading on a brass figure. Work 7961.

Telephoto flattening a hundred floors of two workers on a gondola at cloud level and an engineer in the tower's structural core, the third generation of shareholders. Work 7959.

A figure in mirrored lenses among carvings, a day the stone stayed cool, low angle up a stone stair, print graded warm on the stone. Work 7958.

A vapour-wreathed lift bank of eight numbered doors, a spring of long daylight, long lens at two hundred millimetres. Work 7954.

The Wars of Religion years, a municipally funded show king pigeon in a pork pie hat worn at an angle, warm stone against cool shadow. Work 7939.