The collection · DiffusionLab

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

Hand coloured natural history plate of air intake grilles in a concrete flank in the years of the sealed windows, body colour over a pencil line. Work 9642.

Brick-red two ranks of ringers facing each other, two hours before noon, frame with the last figure half in it, negative with the notch code showing. Work 9641.

Offset print with a cyan ghost edge of a graded by height brass rod clamped to a wooden base, 1798, spot colour missing altogether. Work 9640.

A surveyor sat on a spoil heap beside a floodlight on a tall mast, before anyone came back, rim light on a dust filled edge, silver gelatin print toned warm. Work 9639.

An interlocking wood and fabric wing rib beside a jug of punch on a table, the flood of 1927, production illustration in flat sand tones. Work 9638.

An era with no name: a dining table set for one under four mirror balls, split lighting in two colours, light struck frame. Work 9637.

1774, a hemstitched Tree of Life in polychrome crewel with the name spelled short of room, rococo stitch in tiny blocks. Work 9636.

A balloon net released above the floor and a woman posing for a photographer mid-laugh, twelve-inch sleeve photograph, high contrast monochrome print. Work 9635.

A rope-worn mist-cut ladder well down through three floors, an age measured only in watches, storm light across a bare granite face, film stock pushed one stop. Work 9634.

A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.

A telephone exchange with every light on, long exposure, cables. Work 9632.

A pollen-dusted bee eye in close focus made of baggage cart train beside a worn glue stick, the skiffle years, a roll loaded and shot twice. Work 9631.

A kid-gloved man in a silk scarf with a phone in a case beside an apostle holding a closed book, around 1320, mirrored composition in wet tarmac. Work 9630.

A haze-layered lean to roofed with banana leaf, the last hours of daylight, underlit face composition, archival positive with dense greens. Work 9629.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 9628.

A clay woman in a poster paint apron with grease where a hand held it, the school term of 1965, animation cycle repeated four times, off air recording with a soft picture. Work 9627.

A covered hopper car under a loading spout photographed as a spectrohelioscope at a tower slit, lithographed plate of a comet, acetate negative with vinegar warp. Work 9626.

1779: a pirated dotted line where the coast is unsurveyed, buildings blocked in solid black, rotogravure page from a supplement. Work 9625.

A mica-grounded child catching fireflies with a fan carried across three sheets, 1765, kappazuri stencil-printed sheet. Work 9624.

A sounding pole marked in bands of paint in the style of a depth pole held over the side on a river the colour of tea, a week with no mail. Work 9623.

A ferry deck at sunrise, colour negative film, haze. Work 9622.

A whip stitched puppet child with a wire spine, the second series of 1969, two inch tape master dubbed twice. Work 9621.

A suited traveller against a wall of pure cyan at the edge of a widening white bar, the years without a horizon. Work 9620.

A bee-eater colony in a sandbank in old growth fir, the Polynesian voyaging years, chromolithograph with graded depth tints, chromolithograph in nine workings. Work 9619.

A bell tower of stacked signage between two stalls sharing one lamp, offset plate with visible rosettes, tungsten film under neon signage, mercury vapour green in the shadows. Work 9618.

The engine was named after a wife: axial composition down a trench of a four-storey mixing bin heaped with cotton, the second decade of the site. Work 9617.

A hooded rider halted at a tower gate near the last tower above the ice, the reign of the last keeper. Work 9616.

The first season of the mast, a steward in a short white jacket in front of twelve men in matching tunics, letterpress with a tissue overlay, limelight aimed into a large space. Work 9615.

A bandsman's head in hot red beside a fairground booth front in a session in 1975, portrait in chrome yellow and violet, print taped to a studio wall. Work 9614.