The vintage era of AI art, and its electric sheep.
The collection
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A sullenly patient space station shaped like a chandelier with a headscarf knotted under the chin, New Year 1945, arcade cabinet side art.Work 6373.Photocopier art of an Arctic hare standing on hind legs in bleached spikes and a studded belt, the age of the pager.Work 6365.A crack running through the deck photographed as a bottle of Coppertone, William Eggleston style photograph, Eastman 5254 negative.Work 6347.The fair comes every October: a Ferris wheel over a state fair in the first week of October, linen finish postcard, magenta dye shift.Work 6341.A feathered woman in a Halston dress in the first months of 1981, 35mm lens close to the subject, Ilford HP5 pushed.Work 6336.A silhouetted strongbox with a broken hasp in a booth at the back of a diner, 1925, the lieutenant wants you downtown, portrait in low key.Work 6335.1968: amateur cine club film frame of a what-the-butler-saw machine at Juan-les-Pins.Work 6332.An eel catcher in a petrified forest, argyrotype, Kentmere 400.Work 6325.Matchbook illustration of a man in a white three-piece suit in the last light of a strobe, the first months of 1981, bare bulb flash head.Work 6318.A woman smoking alone on an island in the Baltic in the spring of 1968, anamorphic flare across the frame.Work 6312.Fluxus printed multiple of an attendant standing by a door in the late 1970s, print trimmed square.Work 6302.A bright red Dutch kermis ride at night, the last week of August, scratched negative.Work 6297.Hotel promotional folder of a whitewashed tray of drinks carried down a cabin, 1938, retouched with a brush.Work 6293.A sweating shoe left under a table in a nightclub bathroom, the summer of 1980, Tod Papageorge style photograph.Work 6290.Colour rotogravure advertisement of a hand lettered ranch hand striking a match on a thumbnail, 1959, Fujichrome transparency.Work 6286.An aproned dog at the edge of the water beside a pool ladder, the last week of August, piece to camera by a spokesman.Work 6278.A patient Japanese beach house awning, 1972, Shirley Baker style photograph, tracking lines at the bottom.Work 6277.A cinema with three people in it on a shuttered terrace, the spring of 1968.Work 6276.The year the river was roofed over: optical composite frame of a pachinko player in a smoke haze under a vaulted concrete ramp.Work 6275.Asbestos survey photograph of a stirrup and a mail sack of letters to a researcher, the age of the fax machine, Dynachrome 25.Work 6271.Everybody lies about the money: a railway signal in the rain in 1944, cinematic frame with deep focus, shot on Eastman Super-XX.Work 6270.Yacht club regatta photograph of a long white glove past the elbow in a red coat, 1926.Work 6266.A drone pilot at a dressing table ringed with bulbs in the thirteenth month, cliché verre plate, expired Kodak Gold with a green base.Work 6260.1979, a sugar frosted colour bars with a tone in the corner while the announcer keeps talking, safe title area framing.Work 6259.A natural history diorama of an extinct bird, museum lighting, painted backdrop.Work 6255.Ancestral portrait of an unamused debutante's first waltz, 1924, tungsten light in a studio.Work 6253.The late 1940s: a hard-boiled rooming house parlour, available-light photograph, light from below the face.Work 6247.A waiter standing with a tray photographed as an argument seen through a window, empty frame after the actors leave, lamp flare into the lens.Work 6242.Seaside amusements handbill of a unidentified flask of tea being poured out, the late 1980s, Boots processing envelope.Work 6241.1865, a self conscious Amphicyon in a lurex jumpsuit under the lights, tin glazed earthenware dish.Work 6239.