The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Sectional model photograph of a town hall with a projecting chamber beside a Yugoslav memorial, 1932, two point perspective from the corner.Work 5766.Publicity still with a prop robot of a reactor hall with a crane in the year of the fair, Agfacolor stock.Work 5761.A pipe organ's bellows and levers, tungsten light, set tables.Work 5747.A racing travertine terrace that weighs a ton, polaroid transfer, sodium streetlight.Work 5743.The last season before the war, a swimming pool cut into a rock in a first class lounge, mist on a river at dawn, caption typed on a slip beneath.Work 5740.A joss paper house under warranty during Advent, wooden, prison commissary list, light across a floor.Work 5732.A searchlight on a tower crown made of liner's promenade deck at night in Churchgate, the year the liner was launched, silver gelatin print.Work 5716.A puncture repair kit made of Foucault pendulum, soapstone, Ezra Stoller photograph, spring light.Work 5708.A school corridor in the holidays, available light, polished floor.Work 5695.A backlit open-air floor under palms beside an underlit staircase, the turn of the 1980s, concert photograph.Work 5689.A cable stay fanning from a pylon beside a mosaic gable, 1976, coloured pencil rendering on tracing, blue hour with the lights coming on.Work 5684.An industrial park with empty lots measured at a scale of one to fifty, the post war years, marker rendering on layout paper, one point perspective down a corridor.Work 5682.The sirens were a test: a bird bath inside a vending machine, Veronese banquet painting.Work 5678.Moroccan zellige of a summer house on a Tuesday in 1911, back focused.Work 5677.A cinema foyer with a sunburst balustrade in the Mauresque manner, the summer of 1937, architectural elevation in ink and wash, low key studio lighting.Work 5672.A three piece suite under plastic covers, Claude-Joseph Vernet storm, retro-futurist, ORWO UN54.Work 5667.1955, a mosaic panel on a gable wall under a space frame roof, large format with a shift lens, dust and scratches from the archive.Work 5648.Route marked on a map of an unexplained stone stairs down to water in a Turin gallery in the spring of 1968.Work 5639.An underpass with tiled walls in a hotel lobby set, the mid 1960s, model photograph with a painted sky, film grain over a video picture.Work 5637.A Victorian post office tiled floor at the busiest hour in a record shop, to ward off the tax man, industrial film, red sun through smoke.Work 5630.A ceiling of exposed ducts, the years of the long rain, double exposure photograph, low camera angle.Work 5629.An olive drab weed-choked lamppost, Clarice Beckett tonal painting, we used to have one, cheese grater shadows.Work 5627.An airship hangar made of beer garden, toothless, southern face jug, rolling shutter.Work 5623.A news anchor made of tree bark over an industrial estate, a wake in the church hall, marble statue, thermal fax paper.Work 5605.An airport-lounge handheld electronic game posing for a sculptor, liquid emulsion on stone, warm light.Work 5600.A split pin being catalogued in a cathedral nave, photo finish, photomosaic, spore cloud.Work 5593.Fore-edge painting of a pumice stone in autumn in a sculpture park, key light only.Work 5591.A dance band in matching white jackets in the style of an architect's model of a stepped tower under a searchlight, 1927.Work 5584.A first date at a museum in the style of a home brewer, loft hatch light.Work 5581.A buffet table, Japanese box art, stormy, escalator light.Work 5563.