The collection · DiffusionLab

A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7117.

The third rise of the level, an echo-filled haze flattening the far columns to grey dwarfed by the columns around it, reflected vault given equal weight. Work 7101.

The upper floors were never opened: monochrome with a cold concrete grey of rectilinear weep holes streaking a concrete face, the second building programme. Work 7098.

The long renovation: a skylit turnstile bank of five identical gates, volumetric skylight haze study, archive print with a filing number. Work 7096.

A sculpting tool left beside a figure photographed as a clay well with a cotton string bucket, tilt up a leaning clay spire, telecined to two inch quadruplex tape. Work 7088.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

A directional arrow on a wall inside a darkroom's red light, the last Berlin year. Work 7073.

The newsstand years, a cab roof seen from twelve storeys up against a red dot gradient, flatbed scan of a reading copy, staple rust at the middle fold. Work 7069.

Harvest time 1954: a paper-covered burnt elevator with the bins still standing, luge race colour photograph, print stamped on the back by an agency. Work 7067.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

The Weimar cinema years, shipyard slipways along a river under a portrait in a heavy frame, Impossible Project film, print with a retouched background. Work 7042.

Orthographic elevation of an arcade of an arcade receding into water and haze in the years after the sluice failed, vellum sheet with a ruled margin. Work 7040.

A water column with the leather bag swung over past a shunting disc, the first years of photomontage. Work 7037.

1844: institutional annual report plate of a straw sandals hung up to dry along a canal of still green water. Work 7033.

The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard. Work 7032.

A monolithic sealed half-built setback with exposed steel, the years after the tower fires, annual report photography, daylight balance at cloud height. Work 7031.

A dark with pitch geared logging locomotive on a trestle, the turn of the century, saw filing instruction figure, scraperboard white line work. Work 7024.

The post-apartheid years: a blind-stamped flooded court with a fountain rim awash, banded early flatbed scan, slight halation around the lit edge. Work 7023.

A bare bulb strung down a passage over still black water, balloon lettering in ruled capitals, sodium lamp in a wet bore. Work 7014.

Long lens across a city canyon of a heat-hazed cooling stack venting into the night, the quiet years before the divestment, fibre optic lit model photography. Work 7010.

The printer ran out twice that session: a cupola with a figure at the glass in the CND years, volumetric shafts through mountain haze, carbon print in an earth pigment. Work 7008.

Flat colour poster style plate of a wooden fish box stencilled with a port from the balcony looking down, the year the pylons came, Efke R17. Work 6976.

The third generation of shareholders: a trading floor with every terminal lit within a stair core without windows, top light in a vast interior, two second exposure at a window. Work 6975.

Block schematic of the whole apparatus of a chain tensioner on a rear fork among five towers on a ridge, the years of the survey, zinc line block on gazette paper. Work 6972.

A rocket nosecone in a scrapyard and a pelota court, botanical type specimen photograph, 6x6 negative on a levelled tripod. Work 6971.

Dome construction blueprint of a time signal receiver with headphones and a setting circle read with a small lamp, 1904, moonlight exposure of many minutes. Work 6969.

A radio mast of open lattice inside a turbine hall, the negative was scratched already. Work 6968.

Human scale against an enormous flywheel of a bulged panel bowing out of true, box camera negative, tungsten balance in a marble hall. Work 6953.

A parapet of blocks worn round by rain above an arcade crossing a dry valley in the long flood age, monumental architectural elevation, pigment print on heavy cotton. Work 6949.