The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Architectural photograph with a shift lens of a woman in a gold belt on a black lacquer table in winter 1983, grain enlarged from a small frame.Work 7015.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 6986.A movie poster for a spy film set in one hotel, 1963, geometric.Work 6914.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6861.A movie poster for a western nobody made, painted illustration, dust and sun.Work 6856.A distempered man in a linen blazer with sleeves pushed up in the opening years of the 1950s, sepia toned silver print, stereo pair on one mount.Work 6826.A movie poster for a silent comedy, lithograph, limited palette, 1924.Work 6741.A movie poster for a heist that goes wrong, 1970s, grain, split composition.Work 6584.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6557.A robot with piston arms, 1941, Populuxe brochure illustration, Technicolor three strip.Work 6535.The early 1950s, an undocumented Guess Your Weight scale dated the day it was made, closed circuit camera image.Work 6491.A woman in a wrap dress, Warhol style silkscreen portrait, the bar stopped serving at four, harsh direct flash.Work 6475.The autumn of 1953: a newly bereaved Greek presidential guard marching, zoopraxiscope disc, window light through net curtains.Work 6463.A flip-top box with the lid half open in a hotel cocktail lounge, 1956.Work 6401.An enforcer in a double-breasted suit in a pawnshop window in the mid 1940s, monochrome film still, Cooke Speed Panchro lens.Work 6400.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6349.A feathered woman in a Halston dress in the first months of 1981, 35mm lens close to the subject, Ilford HP5 pushed.Work 6336.A man in Ultrasuede in a mirrored lift, the summer of 1979.Work 6298.The late 1940s: a hard-boiled rooming house parlour, available-light photograph, light from below the face.Work 6247.A register marks in the trim margin in a supper club booth in the mid 1950s, doctor endorsement advertisement, rim light on the hair.Work 6170.An usherette with a tray of cigarettes on a whitewashed lane of steps in 1940, stylised mural in flattened perspective, splice flash in a home movie.Work 6163.A spark throwing pressure suit with a ribbed collar, 1953, theatrical spotlight on a podium.Work 6145.An impossibly healthy flip-top box with the lid half open in 1959, colour shift toward magenta with age, emulsion scratch down one edge.Work 6101.County fair premium book page of a fair packing up at dawn in a tabard full of change, 1955.Work 6048.A champagne bucket on a banquette, the peak of the disco boom, formal group photograph, hot spot on a sequin.Work 6041.A hyphenated mother inspecting a hemline in 1948, corner spots on an album page, deckle edged print.Work 5966.Studio portrait with a painted backdrop of a parlourmaid at the edge of frame plugged into a megastructure core, the season of 1958, flat even overcast light.Work 5919.1936: a debutante in a white gown at Le Jardin, yacht club regatta photograph, halftone from a magazine page.Work 5878.A steel band on a hotel terrace with a lei around the neck, the early 1950s, souvenir folder of views, Rolleiflex twin lens on a tripod.Work 5843.A movie poster for a silent comedy, lithograph, limited palette, 1924.Work 5795.