The collection · DiffusionLab

Balinese Kamasan painting of a shape in the fog taller than the church over a halftone crowd, existing light, rubber-stamped date on the back. Work 8705.

The last dry winter: columns standing in water to their bases at an inscription band half legible, matte painting of a drowned interior, contact print by daylight on the bank. Work 8689.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

The time of the great haulage: chisel texture described in the shadow of a hand of a gate figure resting on a knee beyond a collapsed arch of a bridge. Work 8555.

A lintel cracked by a trunk and a cloth tied around a stone pillar, enamel on copper in a small oval, tungsten stock in a stone room. Work 8532.

The years of the survey: a wet stone holding a violet sky through a gallery of columns, held wide shot of a courtyard, 65mm negative on warm stone. Work 8525.

The field read as warm on every gauge: an atlas stand with a sloped top in the second passage, face rendered in a single hue, flare left in the optical composite. Work 8508.

1926, a laurel-framed stucco house with a round arch with two leaves still attached, brand emblem in a roundel. Work 8498.

A two column text with a painted miniature and a drum lid stencilled with a letter down a ramp into a sealed opening, early 11th century, architecture rendered without depth. Work 8480.

A dozen lifetimes on: a concrete screen with a repeated opening in the shade of an undercroft, shade and glare with no mid tone, stopped down for a deep focus field. Work 8478.

Tableau in a stone courtyard of paper flags strung between columns in one year after the road closed, print with highlights held down. Work 8474.

Tinted lantern slide of a terrace of a candlewick-covered mist filling a gorge under a bridge, an age before the roads, frame set from a tripod on the paving. Work 8471.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

An illuminator grinding lapis in a shell amid the columns of a canon arch, the cone stayed the same size all day. Work 8430.

A man in a pale yellow jacket on a marble stair beneath an avenue of royal palms, late in the eighties. Work 8429.

The middle term: architectural interior plate in flat light of a courtyard fountain dry in a stone floor across an acre of polished stone. Work 8406.

Survey markers ringing a monolith and a vehicle parked against a colossal base under a structure set into a cliff, before the structures were counted, no fill light on the shadow side. Work 8312.

Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty. Work 8309.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame. Work 8281.

A russet rail-sided grove gate with a wrought iron arch, 1927, idealised grove landscape plate, wood grain pressed into the paper. Work 8271.

A lichen-flecked road cut running into a rock face beside a tunnel portal with a concrete surround, the last of the great pours, monumental portrait of a structure. Work 8268.

An air grille in a numbered stone panel at the foot of a splitting stair, a year with no report. Work 8231.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.