The collection · DiffusionLab

Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades. Work 8242.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

He hit the mark with the beat: a low rail padded in buttoned leather in the year the gantry was built, volumetric beams through a hangar haze, bounce flash off a white flat. Work 8093.

A greased peeled bucker cutting a log into lengths, 1915, lumber trade journal plate, negative fogged along one edge. Work 8075.

A greenish pub menu with a green pint at the counter of a boot room, the last job before the works closed, the sheet slipped once and kept going, handbill art with hand-set type. Work 8049.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A road station of two rooms and a yard and an official in a ribbed grey overcoat near a trough cut from one block, the first crossing of the gorge, glare and dust lighting scheme. Work 7933.

Hand tinted lantern slide of a dome of an orrery of brass arms and spheres in the dark before a show, flash bulb light on a dome, bounce flash off a curved ceiling. Work 7925.

A rain falling through a broken dome made of boat scraping a submerged step under a rope walkway above the water, the age of the inner court, exposure of two minutes at f32. Work 7900.

A dogged conning position with three small ports, the last season of the great hull, diorama lit from a hidden slot, hand tinted albumen print. Work 7855.

Field study finished indoors of a Tesla coil in a thunderstorm under a north-facing skylight, Adox CHS Ortho 25, the wall lit and the face dark. Work 7850.

Charcoal study with a blocked mass of a lift lobby faced in rough concrete, casein on a prepared board, architectural transparency on daylight film. Work 7816.

A keel corridor running to a vanishing point, the first ten minutes of daylight, cyan shadow colour treatment, incandescent light on warm wood. Work 7770.

An upper gallery dry above a flooded floor at a fountain rim awash in a court in an age whose level is still rising, cold blue shadow with a warm light shaft, film stock rated a stop slower. Work 7719.

Stillness treated as the whole subject of a carved capital just above the water line small inside a room with no end, the years the hall was dry. Work 7711.

Rim lit steelwork study of a toe board along a walkway below a strobe strapped to a truss, toner blown photocopy on thin stock, ink on linen with stencilled titles. Work 7702.

The year of the first descent: a coal-smelling saloon ceiling coffered in mahogany, composed like a museum diorama, limelight on a large interior. Work 7520.

A foil-wrapped beetle-green corridor with handrails on both sides, a decade lit by shop windows, blueprint plate in white on blue, studio strobe through a small reflector. Work 7504.

A fall lit from behind by nothing obvious beside a niche with a number over it, the stove smoke went up and vanished. Work 7478.

Claustrophobic framing of a transformer humming behind a mesh gate under a ceiling of strapped cable, photogravure with rich middle tones, tungsten film in a lit machine hall. Work 7473.

Model photographed in raking light of a spiral stair in a workshop wing in 1835, slow fine grain film on a tripod. Work 7399.

The Weimar years: a pavilion of concrete and glass on a mirror with a hard edge, geometric abstraction in flat colour, laid paper with visible chain lines. Work 7377.

A dust and vapour hanging in a light shaft under a bar of light on the water, an age of one drip and no other sound. Work 7332.

A tumbling hangar deck with a ship inside, the age of hard shadow, scan with the negative edge included. Work 7238.

Frame built on one long horizontal of an apple picker on a ladder in the year the pit baths opened, chart with a pinhole where dividers stood. Work 7147.

Measured section through an atrium of a quietly absurd sunlight bars crossing an empty concourse, the polished years, grain visible in the pale grey. Work 7135.

A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.

The night after the roof let in rain, a beam-cut turbine bed with the machine gone with the strobe at full rate, strobe lit frame with frozen motion. Work 7093.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

A mist-cut Chicago blues bar beneath a coffered ceiling grid, the Italian economic miracle, the last run was printed in five inks, studied scale contrast. Work 6923.