The vintage era of AI art, and its electric sheep.
The collection
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A tea stall bench under a pine, wind shown as flying leaves, the carver's name is not on it, blocks recut for a fifth printing.Work 7225.The newsstand years, a cab roof seen from twelve storeys up against a red dot gradient, flatbed scan of a reading copy, staple rust at the middle fold.Work 7069.One point perspective down a flooded nave of a Haida totem pole carver in flower and in fruit at once, 2010.Work 6956.Side light raking a wall of rivets of a gauge-crowded chandelier of cut glass under a low deckhead over a sight glass column in the year of the first descent.Work 6934.A group at a long table under an awning and a player mid-smash above the net, fence detail figure in a catalogue, blueprint of a yard boundary.Work 6918.A lamp bar clamped to a truss over a cut length of channel, the panels were cut on site.Work 6884.1899: a smoke-cured barked nets hanging over a rail, lighthouse list illustration, flashbulb on a night market floor.Work 6817.Horizon hidden by the wood itself of a plinth with nothing left on it small under an unseen canopy, the last of the high crowns.Work 6717.Colour test with green filtration of a light coming down in solid beams and a headdress of feathers and wire, the far end of the dry season, graduated magenta over the top of frame.Work 6676.1866, a far-walled tent pitched on a pale shore with its reflection completing the shape, scale given by a single small coat.Work 6673.A crew member in white boots on a white floor and a parasol with lace, advertising still for a hi-fi leaflet, copy shot slightly off square.Work 6636.A repeated courtyard with a single tree beside a long dining table in a cold room, 1971, widescreen anamorphic frame.Work 6609.The camera ran out: an ice cream van on the promenade in 1985, Soviet sanatorium poster, back-lit by the sea.Work 6602.A spinning weather-beaten chip van with the hatch open, 1975, carnival ride catalogue page, hand-held at a quarter second.Work 6590.A rotunda at Nottingham Goose Fair, the year the lido closed.Work 6576.A shadow of a diving board under a fibreglass patio cover, travel agency photograph, Newton rings from a glass mount.Work 6544.Behind the scenes photograph of a table with two cups and no one at it on a ferry deck, frame line visible at the top, Eastmancolor faded to magenta.Work 6538.An asylum garden with benches in a convent corridor, 1961.Work 6519.Saturated colour brochure photograph of a pavement cafe under an awning with fruit speared on a stick, the Concorde years.Work 6511.A ring toss on a midway under a string of bulbs in the mid 1950s, eight by ten view camera.Work 6474.A candidate on a campaign bus on a safari lodge veranda, New Year 1955.Work 6445.A glass dome over a model town beside a stack of packing trucks, the artist was paid ninety dollars.Work 6411.A bush hammered concrete pier, serial typology of structures, the lifts have been out for months, low winter sun raking a facade.Work 6324.A bright red Dutch kermis ride at night, the last week of August, scratched negative.Work 6297.A planter's punch on a rattan table at the rail of a ferry, travel film frame in sixteen millimetre, haze over a bay in the afternoon.Work 6267.A bush hammered colonnade of tapering arches in a flat agricultural landscape, the year the estate opened, perspective rendering in ink and wash.Work 6244.A detail section through a parapet made of departure hall with a clerestory in a courtyard between slabs, the tail end of the century, aerial oblique from a light aircraft.Work 6228.Two days before we left: a pool cover half rolled back in the long summer of 1977, faded holiday snapshot, chromatic fringing on the coping.Work 6164.A vodni mož at a Belgian kermesse, the first winter of the 1920s.Work 6161.A removed clock recording its own time, 1985, record shot with a ruler in frame, 35mm slide in a carousel.Work 6092.