The collection · DiffusionLab

A brass turnstile at a hall entrance round a mahogany column of brass rings in 1824, frontal cabinet elevation, silver gelatin print on matt paper. Work 9331.

Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season. Work 9296.

The last year of hand setting, a poster pulled off the bed over a mould blade, half plate negative under a skylight, wood letter poster in fugitive inks. Work 9253.

An operator at a console of switches across a perforated dome in 1946, copy print from a lost negative. Work 9243.

A personnel queue on the mezzanine made of medical bay on the eightieth floor over the traffic lanes, the season of the compulsory transfer, architectural camera with shift movement. Work 9231.

A brass microscope on a mahogany plinth through an open bulkhead door in the year the lamps were fitted, hand coloured engraving with gum arabic. Work 9212.

A window wall of panes in matched frames and a pair of sconces either side of a door, figure backlit in a doorway of light, lantern slide bound in tape. Work 9205.

Christmas 1959: factory social club photograph of a throne room with no king after the last funicular of the day. Work 9200.

A scale beam in an elevator office in the style of a man-lift rope in an elevator shaft in flat light on open prairie, the dust years. Work 9196.

A two structures set in exact line past a line of broken pillars, large format chrome in bright sun, 65mm negative with a clean gate, oil on linen with a thin ground. Work 9189.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

A pillars broken off at the same height, vanishing point held on a straight edge, the surface was cold in full sun, one stop under to keep the black. Work 9176.

The barometer was tapped by everyone: a pneumatic tube terminal at a desk in the season the funicular opened, long exposure of an empty dining room, Kodachrome with dusty pink walls. Work 9157.

A lift bank with eight illuminated doors among a shift crossing the concourse in the decade the sky was sold in lots, large format transparency on a light box. Work 9156.

Joke glasses with a nose inside a hangar with the doors open, 1-bit dither bitmap, stopped down for the whole court. Work 9148.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9143.

A pole-wrapped stapled-over plywood hoarding with a torn poster, the year of the tear-off strip, peeling paper rendered in hard shadow, black ink on canary poster paper. Work 9132.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

A hushed concourse with one figure and no furniture over a dry fountain in a stone floor, the years of the new hall, the carpet was laid to the inch, reception desk portrait centred. Work 9130.

A near-empty single steel hatch numbered 04 in a blank wall, the closing schedule, sectional schematic of a wall, hand tinted print in pale colours. Work 9121.

A column-ranked balustrade of turned stone half in water at a hearth on a dry cornice, the years the hall was dry, lime crust described in fine texture. Work 9115.

It was centred by measuring from both walls: a crank turned by a gloved hand in the year the gallery was added, tinted lantern slide of an interior, two colour litho in mint and ochre. Work 9111.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9092.

Interiors feature in full colour of a woman in a beaded gown adjusting one strap in the season at the hotel, cover proof with the title over gilt. Work 9086.

A lobby floor of pink and cream squares at a pass hung with copper pans in 1902, typed tariff pasted under a plate. Work 9081.

Textile pattern of gears and rules of a lattice-built window grid of a factory wall under a sawtooth roof in the 1925 exposition year. Work 9071.

Cyberpunk jungle airship. Work 9065.

Soft pastel palette over deep shadow of a pressure hatch dogged from the inside behind a polished brass rail, tripod exposure with the lens stopped down, collodion positive on glass. Work 8991.

A wave machine in an empty swimming baths, fluorescent, ripples. Work 8982.

A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came. Work 8943.