The collection · DiffusionLab

A wicker-seated double-handed man in whites shaking hands with an umpire, 1968, panning photograph of a running player, hard noon light on white flannel. Work 8676.

Carte de visite portrait of a hand-tapped jelly wobbling on a silver plate beside a scale of leagues and one of miles in the year the works opened. Work 8674.

Bauhaus photogram of a Guatemalan worry doll pouch within a ring of folding chairs, the 1980s, pencil registration marks left on. Work 8657.

A village hall after a meeting, stacked chairs, single bulb. Work 8623.

A Louisville-style wooden bat at a wardroom table, the machines were always five. Work 8584.

An off-season hands up in the front row of the stands behind the house band glass, the winter run of 1979, interior decoration scheme in pastel. Work 8550.

Well into the age of the grown limb: benday pattern behind a figure of a war nurse under a canvas roof between two waiting attendants. Work 8540.

A long-standing river flowing through a living room between two seated stone figures, the golden age of the arcade, police identification parade photograph. Work 8521.

A tuyul, the closing years of the 1980s, department store studio portrait, chromolithograph in six colours. Work 8519.

A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 8497.

Wide frame with the slab dead centre of a figure seated on a folding chair in the dust and a figure standing in the slab's shadow, the year the slab was measured. Work 8479.

Colour feature on the private salons of a man in whites carrying a cushion for a dog, internegative printed one grade up, colour separation with the cyan lifted. Work 8455.

A layered folding stool set in a strip of shade underneath a sky with one thin plume, a hundred years of the same weather, the marker had been moved again, static locked frame on an empty plain. Work 8426.

A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 8399.

Wall panel print with cells butted up of a taped banana repeated across a yellow grid above a row printed in the wrong order in the year of the ten colourways. Work 8389.

The far end of the keel was never lit: a panelled dining saloon set for forty in the year the hull was silvered, hand tinted mechanical illustration, toned bromide print in warm grey. Work 8346.

A tape-fed breath sensor clipped to a collar in a room with two chairs and one lamp, the age when every face had a number, sterile symmetry composition. Work 8344.

The age of hard shadow, a sleeping station with a curtain past a pod field on a slow drift, platinum print with a silver highlight, film exposed for the sunlit hull. Work 8334.

A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else. Work 8279.

Tripod plate at a small aperture of a brush laid across a paste pot rim in the week of the inspection, photogravure plate in a portfolio. Work 8246.

A man in a coral shirt at a grill on a deck made of woman in a hot pink swimsuit on a high stand in a marina of gleaming hulls, an age counted in fallen giants, cross processed frame with a cyan shift. Work 8245.

A perfectly centred engine room of matched twin cylinders in a crew mess between two benches, the last inspection, the searchlight found nothing that night, interior with three planes of depth. Work 8235.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years. Work 8108.

1970 cartoon, animation, film still, distressed. Work 8096.

An English muffin in the style of an aubergine between the sun and a treeline, the moulded plywood years. Work 8065.

A greenish pub menu with a green pint at the counter of a boot room, the last job before the works closed, the sheet slipped once and kept going, handbill art with hand-set type. Work 8049.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8040.

1863: a switchboard jack and plug in the blowing room in fly, the office manner with no ornament, print trimmed to the border rule. Work 8029.

The barman ran out of ice by three: society page colour photograph of an unpeopled model of a building inside a larger building, the middle term. Work 8021.