The collection · DiffusionLab

A gloss white suited pair carrying a sealed white case, the era before the hatch was named, backlit interior study, fine grain positive print. Work 8321.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame. Work 8299.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

Gouache with gum on the wing coverts of an arch wide enough for four abreast at a junction stone cut with three hands, the years the tunnel was cut, paper gone grey along a fold. Work 8173.

A sunken court with a single stair out in a drug store room at the back, speed camera photograph, Kodachrome dense shadows. Work 8157.

Dotted illustration with no grey in it of a man walking away down a hallway in the hundredth issue, two flats meeting with a white gap. Work 8147.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.

A black slab standing upright on a plain alongside a wall running out of sight in after the last team went home, raking light on a featureless face, halation glowing round a bright edge. Work 8121.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

A bricked arch with one course removed sheltering against a warm duct, a hundred years after the first bore, smoke-filled stage underground, blueprint process on blue paper. Work 8095.

An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis. Work 8091.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor. Work 8055.

A man in shirtsleeves with a pen behind each ear in a corridor of grey terminals in midweek in 1985, rotary press page with ghosting. Work 8012.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

Direct on-camera flash in a small room of an exit sign glowing over a stair and a someone else's hand on the microphone, an August with no fan, film pushed in the tank by guesswork. Work 7972.

A canopy of ribbed glass over a platform under a mirror angled at a platform, heavy outline with a fine interior line, rag paper with a visible watermark. Work 7910.

A trench with walls polished smooth, after the fourth attempt failed, three quarter view on an upright mass, edge softness left in the corners. Work 7904.

A rain falling through a broken dome made of boat scraping a submerged step under a rope walkway above the water, the age of the inner court, exposure of two minutes at f32. Work 7900.

The years of the works, a faded oxblood concrete face the height of a hill with one door dwarfed by the wall behind it, underexposed for deep shadow. Work 7862.

A dogged conning position with three small ports, the last season of the great hull, diorama lit from a hidden slot, hand tinted albumen print. Work 7855.

A mainframe room with the doors open, fluorescent light, tape reels. Work 7836.

An iara in front of shadows cast on brick in the bossa nova years, matte painting with a hazed monolith, old glass corroded and pitted by rain. Work 7776.

A keel corridor running to a vanishing point, the first ten minutes of daylight, cyan shadow colour treatment, incandescent light on warm wood. Work 7770.

The sixth decade of the company towns, a tower flank with three floors dark across a lobby floor of black stone, acrylic on hardboard with hard edges, bounced light off polished stone. Work 7756.

An upper gallery dry above a flooded floor at a fountain rim awash in a court in an age whose level is still rising, cold blue shadow with a warm light shaft, film stock rated a stop slower. Work 7719.