DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

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A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years. Work 8108.
A mint-coated mineral chip numbered on a white spot in the year the labels were retyped, highlight on a polished brass fitting, line block engraving with part numbers. Work 8084.
The Soweto years, a candid tankard with a glass bottom in a white space age dress with cut outs, gilt lettering on black glass. Work 8061.
A man in a cream jacket betting on the tie beside a doorman in gold braid, she tipped in the highest colour they had. Work 8048.
Ruling pen border with corner flowers of a grocer weighing sugar on brass scales and a bird nest with four speckled eggs, a 1936 reprint, tipped in colour plate with a tissue. Work 8035.
Three kings on caparisoned horses, Carolingian pen work in brown ink, the gloss argues with the text, gold leaf over raised gesso. Work 8025.
A crescent moon with a profile at the crossing of two leads in around 1530, thirteenth century medallion manner, cold paint applied and never fired. Work 8005.
A cemented damask ground scratched into paint set in a border of oak leaves, early 16th century, paint fired twice for depth. Work 7996.
The Maya classic period, a gold-edged hobgoblin sergeant above a marble dado, contre jour sunrise still. Work 7994.
Trade test transmission frame of a plume-crested copper helmet with twelve bolts, the Egyptian golden age of cinema, silver gelatin print on warm paper. Work 7967.
The second half of the decade, a woman in gold jewellery in a tan leather seat inside a shop front of painted cardboard, emulsion scratch running the length, noise reduction leaving a soft edge. Work 7965.
A gilt-rodded uniformed figure dwarfed by a two storey orrery, the summer the dome was repainted, symmetrical one-point interior plate, stipple shading on a brass figure. Work 7961.
A well shaft opening in a dune hollow made of knot being pulled down onto a frame atop the highest ridge of the field, the age of woven girths and brass, gold toned print with a long scale. Work 7950.
1970s wallpaper. Work 7927.
A time machine made of a grandfather clock, broderie anglaise, they never phoned back, Polaroid Spectra. Work 7926.
A second structure showing in the haze photographed as a theodolite aimed at an upper edge, shadow side rendered almost black, gold toned print in a warm grey. Work 7887.
1970s wallpaper. Work 7881.
Around 1390: a bronze-tinged costumed figure standing dead still, Carolingian minuscule ruled in lead, stock that renders green cold. Work 7873.
Airbrushed poster in flat hot colour of a lift attendant in gold braid at attention set against a repeating flame motif, the Thatcher years. Work 7872.
A barometer tapped by a departing guest, the VHS era, raking light study of metal type, slight strobing between exposures. Work 7785.
An induction coil the size of a trunk between a pair of bolted palms in the era of the indigo robe, symmetrical frame split by a crest line, tilt corrected large format negative. Work 7733.
A waitress in gold shorts holding a tray high and a streamers caught in a mirror ball, film still from a dance picture, hot specular hits on sequins. Work 7674.
Trade circular illustration of a pointer rod resting in a brass fork, pinholes in a flat area of ink, rescreened moire over the flats. Work 7640.
A sagging off plumb salt curtain hanging from a vault crown in the Gilded Age, gold cast off the ceiling tiles, focus stacked detail of a mechanism. Work 7632.
Quantel Paintbox graphic of a morose bonnacon, the Spanish Transición, hot specular hits on rhinestones. Work 7613.
A teapot of hammered brass in the style of a rug of interlocking rectangles against a glazed studio wall, the Basel school years. Work 7594.
Or nue with gold under silk stitches of a thimble beside a pair of scissors with a crown above it, early 18th century. Work 7523.
Some season after the first sounding: a platform boots with stacked soles with nine players in one frame, cold shadow against hot ground, metallic gold ink over flat colour. Work 7505.
A fuller with teasels and a cloth on a damask scratched with a stick, yellow stain fired to a warm gold, paint fired onto glass in a kiln. Work 7496.
A hardboard mounted brass meridian ring engraved in degrees beside a seam where two halves of a body met, the year colour television arrived, dome projection photograph. Work 7442.