The collection · DiffusionLab

A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame. Work 8299.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

Dotted illustration with no grey in it of a man walking away down a hallway in the hundredth issue, two flats meeting with a white gap. Work 8147.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor. Work 8055.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

Direct on-camera flash in a small room of an exit sign glowing over a stair and a someone else's hand on the microphone, an August with no fan, film pushed in the tank by guesswork. Work 7972.

Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior. Work 7935.

A mezzanine gallery ringing an empty void in a gallery overlooking nothing in the last full staffing, fine grain film at a small aperture. Work 7917.

A canopy of ribbed glass over a platform under a mirror angled at a platform, heavy outline with a fine interior line, rag paper with a visible watermark. Work 7910.

A keel corridor running to a vanishing point, the first ten minutes of daylight, cyan shadow colour treatment, incandescent light on warm wood. Work 7770.

The sixth decade of the company towns, a tower flank with three floors dark across a lobby floor of black stone, acrylic on hardboard with hard edges, bounced light off polished stone. Work 7756.

An upper gallery dry above a flooded floor at a fountain rim awash in a court in an age whose level is still rising, cold blue shadow with a warm light shaft, film stock rated a stop slower. Work 7719.

Fisheye view of a whole dome of a seating plan posted in a lobby in the late 1940s, print mounted on museum board. Work 7595.

A wet-printed school corridor with lockers under a speaker flown on chain, the détente years, anonymous holiday snapshot. Work 7593.

The inspection lasted eleven minutes: a dust suspended over a polished floor in 1806, two colour plate in ochre and oxblood, large format sheet film with deep haze. Work 7537.

A floor plan illustration mounted on a stand photographed as a bucket and mop beside a monumental column, heat shimmer used as the far plane, 70mm interior frame. Work 7535.

Overhead plate of a spread chart of a precisely flanked sounding figures in a fine even hand, the year the hall was panelled, collotype in a survey volume. Work 7527.

The year of the first descent: a coal-smelling saloon ceiling coffered in mahogany, composed like a museum diorama, limelight on a large interior. Work 7520.

A dust-free blower duct under a dome floor under a pointer arrow of light, 1923, filmstrip frame for a lecture. Work 7488.

A tank hall with twelve columns lit, instructional manual illustration, the model was not on the standard list, deep black against a white wall. Work 7470.

An ordered potted palm in a brass planter beyond a colonnade of eight columns, the quiet tenancy, commissioning day interior record. Work 7467.

A wall sized funicular carriage stepped like a staircase with the circuit closed, 1820, exaggerated scale to make an effect plain. Work 7339.