The collection · DiffusionLab

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

A gloss white suited pair carrying a sealed white case, the era before the hatch was named, backlit interior study, fine grain positive print. Work 8321.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame. Work 8299.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

A quietly absurd tea can warming on a tiny boiler dwarfed by the plain around it, the short seasons, timetable leaflet cover image. Work 8234.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

The last summer before the road, a pink-marbled kitchen pass hung with copper pans stencilled with a stores number, haze filled lobby held perfectly level. Work 8190.

A sunken court with a single stair out in a drug store room at the back, speed camera photograph, Kodachrome dense shadows. Work 8157.

Dotted illustration with no grey in it of a man walking away down a hallway in the hundredth issue, two flats meeting with a white gap. Work 8147.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor. Work 8055.

A man in shirtsleeves with a pen behind each ear in a corridor of grey terminals in midweek in 1985, rotary press page with ghosting. Work 8012.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

Direct on-camera flash in a small room of an exit sign glowing over a stair and a someone else's hand on the microphone, an August with no fan, film pushed in the tank by guesswork. Work 7972.

A vapour-wreathed lift bank of eight numbered doors, a spring of long daylight, long lens at two hundred millimetres. Work 7954.

A doorway with a single bulb above it and an inspection gantry level with a parapet, official report frontispiece, offset litho in four muted inks. Work 7943.

A wall niche with a small stone figure within an inner court open to the sky in the years nothing was carried out, watercolour over a graphite grid. Work 7931.

A canopy of ribbed glass over a platform under a mirror angled at a platform, heavy outline with a fine interior line, rag paper with a visible watermark. Work 7910.

A trench with walls polished smooth, after the fourth attempt failed, three quarter view on an upright mass, edge softness left in the corners. Work 7904.

A vast wall corner meeting a haze horizon within a trench of teal light, an unnumbered year, the floodlight was on at midday, poster style flat elevation. Work 7896.

A mainframe room with the doors open, fluorescent light, tape reels. Work 7836.

A keel corridor running to a vanishing point, the first ten minutes of daylight, cyan shadow colour treatment, incandescent light on warm wood. Work 7770.