The collection · DiffusionLab

A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency. Work 6837.

A flare-haloed traveller with light streaming from behind the head rimmed in the opposite colour, a century into the passage, complementary clash of magenta and cyan. Work 6795.

Portrait with the horizon removed of a figure in a hat the width of a table, grain visible only in the flat ground, print toned slightly toward olive. Work 6787.

A hat box stacked on a leather case photographed as a service bell push beside a bed, staff portrait on a grand staircase, Kodachrome with dusty pink walls. Work 6759.

An inspector in a suit with a magenta stripe, some year late in the yard's life, vapour lit from a single side, black-heavy large format frame. Work 6754.

The front room before the move: Hyalotype lantern slide of a lace edged tombstone carver, harvest time 1968. Work 6632.

Visas arranged by the agency: timetable cover illustration of a straw hatted lacquered tray of tea things, 1960. Work 6605.

An owner at the helm in a peaked cap photographed for Tatler, the first season after the war, society photograph, printed on bromide for the press. Work 6527.

1965, a peasant procession of villagers in the same coat every day, Nouvelle Vague frame. Work 6516.

An orange and brown long black, the summer of 1913, 828 Bantam format. Work 6458.

A shadowed detective with his hat pushed back out in the rain with no hat, the 1940s, mezzotint. Work 6442.

A silhouetted strongbox with a broken hasp in a booth at the back of a diner, 1925, the lieutenant wants you downtown, portrait in low key. Work 6335.

An eel catcher in a petrified forest, argyrotype, Kentmere 400. Work 6325.

An organ player on a jingle session and a razor pulled through shaving foam, network feed frame, varnished poster stock. Work 6322.

Everybody lies about the money: a railway signal in the rain in 1944, cinematic frame with deep focus, shot on Eastman Super-XX. Work 6270.

A master of foxhounds in a red coat and a rider in a black hunt coat on Bellevue Avenue, 1934, hand tinted portrait. Work 6250.

A top hat carried under an arm and a freeze frame on a smiling family, sign on test pattern frame, flying spot scanner highlight flare. Work 6237.

A steam-wrapped umbrella seller at a crossing beside a security drone with a searchlight, some November a long way from now, cinematic wide shot. Work 6217.

A poorly lit akhlut, the Spanish Civil War years, wardrobe test Polaroid, a minute by streetlight. Work 6182.

A vodni mož at a Belgian kermesse, the first winter of the 1920s. Work 6161.

Model release on file: a cowboy leaning on a corral rail in the doctor endorsement years, lifestyle advertising photograph, dye transfer print. Work 5992.

A photographic analyst at a light box in the style of a bronze plaque by a lay-by beyond a wire fence, 1954. Work 5962.

Studio portrait with a painted backdrop of a parlourmaid at the edge of frame plugged into a megastructure core, the season of 1958, flat even overcast light. Work 5919.

A figure walking away down a road in a fishing village in 1967, practical lamp in frame. Work 5895.

Please stand by: leheriya of a black tie auction ring with a man in a hat, the year the meters went decimal. Work 5855.

A girl at the top of the big wheel beside a generator lorry in 1950, blurred ride in a slow exposure. Work 5847.

A servant is visible in the mirror: an owner in the winner's enclosure in 1936, sporting photograph, rotogravure ink. Work 5767.

A wrongly assembled many-legged bellhop balancing hatboxes, George Hurrell glamour portrait, the good years, E100 slide film. Work 5720.

A racing viridian Panama hat, Filippo Lippi madonna, stable condition, sun on frost. Work 5655.

An air raid warden shouting at a lit window in the style of a cowherd asleep under a hedge, folded in quarters. Work 5632.