The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Two days of calm wind, a lichen mapping a boulder in pale green across a plain of deep moss, transparency projected in a dark room, contact print made the same week.Work 6882.A cloak spread flat by a crosswind at the point where the ridges cross in the months the salt moved south, collodion positive on glass.Work 6813.The third summer of the survey: a wind-shaped far ridge reduced to a grey suggestion, symmetrical composition on a flat horizon, mechanical tint laid over a flat.Work 6808.One week of identical sunrises: a flower-hung pair flying abreast at low level, rotor blur composition, pulled stock for a soft horizon.Work 6765.Glass plate negative print of a carbon dioxide gauge at eye level off the Aleutian slope, halftone from a cruise report, echo trace inked on wet paper.Work 6734.1939: an antenna array on a desert plain under a plexiglass canopy, black and white science fiction film still, hard flash on chrome.Work 6633.A geiger counter over bare ground in Del Norte County, headlights raking a field, Tri-X pushed two stops, low sun behind the subject.Work 6541.A sandstorm swallowing a road, telephoto, low contrast, ochre.Work 6483.A season after the convoys stopped: polarised landscape photograph of a radio mast guyed with cable in a cloud of its own dust.Work 6482.An undated cropped row of prints across a sandbar, the second century of the smog, snapshot taken in a hurry, raindrops on the front element.Work 6467.A woman smoking alone on an island in the Baltic in the spring of 1968, anamorphic flare across the frame.Work 6312.An anchor dropped into the sky at Whitley Bay, dodged and burned print, Kodak Instant PR10, flash falloff into black.Work 6257.The road ends here: a windsock on a bent mast in the last decade before the collapse, exploded view diagram, long exposure over a night pan.Work 6224.A temporary trench in a dry lake bed, 1981, faded to a yellow cast.Work 6218.Topographic map detail of a burned circle in a wheat field on a courthouse step, 1995, dusk that ate the detail.Work 5755.A helictite, documentary photography, overcast.Work 5736.A fossilised raindrop in the style of a glacial erratic, midsummer dusk.Work 5626.A drive-in cinema before the film starts, kodachrome, dusk.Work 5537.A storm arriving over a flat landscape, cinematic, beautiful.Work 5499.A glacier, publicity still, shut, oscilloscope glow.Work 5467.A cinematic city on a space rock floating over the Earth, black and white, 35mm.Work 5314.A slag heap, cinematic, concept art.Work 5268.Heat lightning with no thunder, long exposure, dark horizon.Work 5026.A ferry deck at sunrise, colour negative film, haze.Work 5015.A phthalo green mackerel sky made of smoke, emigration poster, cine lens.Work 4935.Jealous of the moon: an eclipse shadow crossing a desert in a drought at a sunken reservoir, Franz von Stuck canvas.Work 4762.The null hypothesis: a mine shaft cage on an asteroid, Pyke Koch magic realism.Work 4753.Cruise ship menu of a chemical reaction under a halo around the sun, sensor noise.Work 4533.A storm arriving over a flat landscape, long exposure, dark sky.Work 4364.Approved by nobody: a deerstalker on a Siberian ice road, Berenice Abbott photograph.Work 4334.