The collection · DiffusionLab

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

A flood-marked chain of posts marking a road edge beside gate leaves bound in iron, an age when the road was still kept, the arch fell in a season with no flood, tonal study in ochre bone and slate. Work 8795.

A ladder in a shaft lit at the top photographed as a signal lamp glowing red in the dark, practical lamp in frame, smoke haze on an underground set. Work 8788.

A column of green smoke through a canopy gap across a hacked path in a fortnight without a signal, saturated unnatural colour still, contact print from a location negative. Work 8784.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

Muted ochre against near black of a catchment terrace angled to a cistern between a stair and a sheer drop, architectural transparency on daylight film, 6x6 negative on a levelled tripod. Work 8709.

Balinese Kamasan painting of a shape in the fog taller than the church over a halftone crowd, existing light, rubber-stamped date on the back. Work 8705.

Cutaway of a keel corridor of turnbuckle rows along a girder in 1870, ruling pen line with a grey wash. Work 8698.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A staircase rail of turned brass, the second station generation, subject placed small in a huge frame, 70mm plate with the grain suppressed. Work 8622.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

Gold haze thick enough to hide the far wood of a sap-streaked bell hung from a beam between trees among ferns breaking through carved steps in an age before the wood was measured. Work 8585.

The water rose a little every year: green-cast fluorescent interior of a sump-side runner sprinting a lit corridor, the age of the improvised circuit. Work 8570.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails. Work 8515.

A two column text with a painted miniature and a drum lid stencilled with a letter down a ramp into a sealed opening, early 11th century, architecture rendered without depth. Work 8480.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

Bird's eye photograph of a stair of a marshaller lit from one side in orange aligned to a baseline grid, letterpress with a visible bite, star filter on a low sun. Work 8461.

A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition. Work 8450.

A bone-pale silt fan at the foot of a stair, the decade the standpipe arrived, gold toned print in cool brown. Work 8447.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

A lighthouse on a clear day, kodachrome, saturated, hard shadows. Work 8409.