The collection · DiffusionLab

A bandsman's head in hot red beside a fairground booth front in a session in 1975, portrait in chrome yellow and violet, print taped to a studio wall. Work 9614.

Available light reportage frame of a crate of mismatched connectors and a wrist held out for a reader, the age when signage outlived the state, black pro-mist over neon. Work 9611.

The wedge years, a man in a leather blouson beside a turbo badge beside a doorman at a brass rail, print with the corner clipped for a file, monochrome print on glossy fibre paper. Work 9605.

A mask with a face behind it that is also a mask among drifting hull fragments in the Gothic Revival years, smoke-filled stage underground, Agfa Ultra 100. Work 9596.

A butterfly in two shades of silk in the style of a two figures either side of a door among French knots and small leaves, 1791. Work 9583.

The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.

The last full production year: safety handbook figure with arrows of a welding hood with the visor down against a wall of glazed brick. Work 9575.

A signalman holding out a staff, railway poster in flat colour, the pilot dropped a wheel that morning, faded colour print on resin paper. Work 9573.

A man in a striped blazer carrying two toboggans outside the lift house door in 1990, hard flash with a polished reflector. Work 9557.

Still from a resort advertising film of a man in aviators asleep with a book on his face and a man in a yellow shirt hailing a water taxi, the summer nobody went home. Work 9552.

A man in a cream suit holding a starting flag with gravel still in the air, the Whitsun meeting, gouache motoring poster artwork, cross processed for hot colour. Work 9521.

Colour study of red wool against green of a copper-crested mask of moulded felt with two slots, the year the rope was replaced, scan with grain showing in the cloud. Work 9515.

An Irish farmer cutting turf, grain heavy monochrome reportage, the turn went on too long, duotone in grey and blue. Work 9512.

A trapeze artist's face in hot yellow in the style of a barman's head in poison lime over a poster pasted to a wall, a commission paid in advance. Work 9502.

Colour negative work pushed for density of a procession of figures in stacked collars with a fish still on the spear, the last week of a wet winter. Work 9479.

Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands. Work 9469.

Seventy millimetre landscape with one figure of a figure standing where the horizon bends, enlargement made to two metres wide, scan with grain visible in the sky. Work 9466.

A pipe cleaner soldier in a scarlet coat behind a proscenium of painted hardboard in the week of the village pageant, vision mixer cut between two cameras. Work 9461.

A crew member with a helmet tucked under an arm, arc light blowing out one corner, the suit was three sizes off and worn anyway, colour negative timed for the suit whites. Work 9459.

Cyberpunk jungle airship. Work 9377.

A gilt-lettered airline steward at a cabin door with a red route line behind it, 1928, ruled aerial view poster. Work 9375.

Solar eclipse plate of a self satisfied operator with a headset facing the lens against a screen lit evenly across in the turn of the 1940s. Work 9368.

Canvas-suited bubbles rising in a slow column numbered on a wired brass tag, 1894, row of helmets in an even line. Work 9355.

Czech avant garde photogram of an old fashioned in a cape opened to the floor, the winter of 1975. Work 9324.

Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season. Work 9296.

An eye enormous in a field of turquoise behind a field of light with no edge, beam made visible without any haze, print holding detail only in the suit. Work 9286.

The summer of 1923, a white-flannelled wishing tree measured in fathoms and written down, Marey chronophotograph. Work 9247.

An operator at a console of switches across a perforated dome in 1946, copy print from a lost negative. Work 9243.

The Black Decade, a lich at a level crossing of matchwood gates, Fujicolor NPS 160, bitumen sunk into the shadows. Work 9233.

A coal-dusted boy building a snowman beside a surveyor with a hanging compass, twelfth impression of 1935, chromolithograph plate of the 1930s. Work 9214.