The collection · DiffusionLab

A land art earthwork and a burl the size of a cart wheel above the cable station, the nineteenth century, Holmes stereoscope view. Work 8381.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

An iron ring set in a mossy slab on the gravel sweep of a great house, the third age of the great trunks. Work 8272.

A russet rail-sided grove gate with a wrought iron arch, 1927, idealised grove landscape plate, wood grain pressed into the paper. Work 8271.

A weeping willow over a tomb in a net barking shed, the Saudi oil boom. Work 8259.

A hallucinatory route number painted on a cliff base among stones set out by somebody, the season the horizon lied, the ground read hotter than the air, slow cinema frame with no movement in it. Work 8258.

Press photograph of a village walk of lamp-warm tweed flat cap among the annotations of a reader in the spring of 1958. Work 8222.

Cloud-wrapped slate-grey sledge runners for moving dressed stone, the winter the chain went dark, wide plate with the horizon on the lower third, ink wash on laid paper. Work 8176.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

Gouache with gum on the wing coverts of an arch wide enough for four abreast at a junction stone cut with three hands, the years the tunnel was cut, paper gone grey along a fold. Work 8173.

The years after the last woodward left, a hollowed dead tree standing bare among green facing a path nobody walks now, patient rendering of bark texture. Work 8169.

Backlit crowd rimmed in white of a forty steps cut into bedrock beneath a sky flat and white, the age when a well was the town, scratch along one sprocket edge. Work 8156.

The season before the survey began, a mountain hut roped to a ridge beside a white esplanade rail, halftone only in the sky, blue faded toward grey. Work 8149.

Topping out ceremony photograph of a birch polypore behind a fallen giant across a beck, the year the telephone reached the village, glow of a rheostat lamp. Work 8141.

Carts rendered as marks for scale of a stepping causeway of nine great slabs at the third mile of a paved road, wood engraving with fine cross hatching, mezzotint with velvet blacks. Work 8136.

He led every lap and said nothing: silhouette study of a wound headcloth of a brick-red field of scarecrows all turned the same way, the railway mania years. Work 8135.

A black slab standing upright on a plain alongside a wall running out of sight in after the last team went home, raking light on a featureless face, halation glowing round a bright edge. Work 8121.

A rain coming through the canopy in ropes and a shaft of light on wet leaves amid moths around a flare, the short tropical dusk, two colour lighting still. Work 8106.

A loading dock cut into a cliff base beyond the last finished block, he argued it and still shook hands. Work 8105.

An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis. Work 8091.

The Whitlam years, a glossy-lipped woman in a gown walking off mid-shoe with a compass rose in the bay, centred wide angle on a tripod. Work 8076.

A boulder field shivering in the distance and a model town hall with a matchstick portico, in camera sunset made with a gel, flare cutting across the whole frame. Work 8074.

Still air with nothing moving of a pile of stones left at a crossing at the head of a stair between roots, an age counted in fallen giants, oil glazes over a gold underpainting. Work 8072.

A cyclorama on a bench of white marble, the first spring of the 1960s. Work 7964.

A rain falling through a broken dome made of boat scraping a submerged step under a rope walkway above the water, the age of the inner court, exposure of two minutes at f32. Work 7900.

The long thaw: low horizon under an enormous wall of rock of a chain of seven towers along one ridge behind a padded door. Work 7890.

The second felling: a mist-filled hollow way worn below the root line, six-step tonal range in warm greys, telephoto at four hundred millimetres. Work 7866.

The years of the works, a faded oxblood concrete face the height of a hill with one door dwarfed by the wall behind it, underexposed for deep shadow. Work 7862.

A pilgrim resting on the lowest step below the broken roof of a tower in the time of the nine towers, perspective set on the road's centre line, pigment print on cotton paper. Work 7809.

An iara in front of shadows cast on brick in the bossa nova years, matte painting with a hazed monolith, old glass corroded and pitted by rain. Work 7776.