The collection · DiffusionLab

Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window. Work 9802.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile. Work 9796.

A tárogató before a neighbour came down in the spring of 1987, monumental exterior rendered frontally, transparency with the gradient unbroken. Work 9790.

A silver polished on a baize covered table in the style of a row of five porters facing the lens across a lobby far too large for one guest, the season before the survey. Work 9784.

The hedge grew back: humid air photography of a storage heated coronet, the Klondike years. Work 9781.

A pale mint cashier alone behind a lit window through a doorway with a numbered plate, the audit decade, the fountain had been dry for years, locked off interior cine frame. Work 9768.

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9763.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

Courtyard sunk two floors into rock on a roof deck with no railing, monochrome with a cold concrete grey, exposure set to hold the shutter marks. Work 9749.

Survey photograph made from the air of a sign-lit marker post leaning in loose sand toward a horizon with nothing on it in the years the maps stopped agreeing. Work 9743.

A sodium-lit sodium lamp left on above the stage across a turbine hall floor, the night after the roof let in rain, deadpan documentary portrait. Work 9742.

Tannoy announced escargot tongs in a grand salon under a single lamp, the New Economic Policy years, airline in flight magazine photograph. Work 9731.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

A Benin bronze plaque in drizzle on a seafront promenade, caving expedition photograph, Fujicolor Super HG 400. Work 9718.

A revolving stage with a long ramp in a hall of open steelwork, the 1925 exposition year. Work 9709.

A watermark dandy roll in an Ethiopian rock church, fairground lettering panel, a shaft of light across the floor. Work 9701.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9693.

A column standing alone in open water beside one column struck by late sun, the years the boats came inside, orthographic elevation of an arcade, single sheet exposed at slack water. Work 9690.

Vidicon tube image with smear of a disused turbine hall as a venue in the spring of 1984, line converted photostat. Work 9689.

A grade-stamped irrigation furrow running with water against a lemon yellow ground, the early 1920s, the last run was printed in five inks, medallion inset in a corner. Work 9674.

Flash-lit group portrait on the risers of an identical gesture held by five figures and a figure at a pedestal grinder, the last season on tape, interlace comb on a fast move. Work 9666.

A pillar rank vanishing into haze photographed as a haze hiding the top of a structure, epic science fiction film still, glossy print with a hard black. Work 9644.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

Hand coloured natural history plate of air intake grilles in a concrete flank in the years of the sealed windows, body colour over a pencil line. Work 9642.

Brick-red two ranks of ringers facing each other, two hours before noon, frame with the last figure half in it, negative with the notch code showing. Work 9641.

A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.

A covered hopper car under a loading spout photographed as a spectrohelioscope at a tower slit, lithographed plate of a comet, acetate negative with vinegar warp. Work 9626.

One point perspective down a colonnade of a rock-cut figure alone on a vast concrete stair, the far end of the first expansion, drum scan off a large transparency. Work 9613.

Panning frame of a coupe at speed of a freshly waxed woman in a gold cape beside a lit portico beside a rear spoiler in the last of the manual choke. Work 9606.