The collection · DiffusionLab

A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

The hour before the light changed: a scaled barrier of pale mint panels, institutional brochure interior, blueprint of a lobby plan. Work 8750.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

Water combed into repeating lines of a dragonfly on a rice stalk in 1858, fine line carved thin and broken. Work 8708.

1863: stipple engraving finished by hand of a spray of hawthorn in full blossom on a mount with cut corners. Work 8691.

A wordless rain steaming off hot leaves, an unrecorded week, bloom around every smoke column. Work 8687.

Silhouette on a level horizon line of a gladiolus spike cut for a show in the summer of the deep survey, woodburytype in thick gelatin. Work 8681.

A wax drip on a written page above two columns of text, fish glue size on skin, thumb wear at the corner of a leaf, flesh side with a paler tone. Work 8663.

A seed packet sealed with a gummed flap beside a price in pence per packet in 1861, stippled shading on a root crop, flat colour litho on gummed stock. Work 8541.

Well into the age of the grown limb: benday pattern behind a figure of a war nurse under a canvas roof between two waiting attendants. Work 8540.

An infused slice of dried rhubarb root beside a sheet of blistering plaster, 1710, delft blue laid over a white glaze. Work 8539.

A flowering stem of a common sage inside the wiped edge of a copperplate, 1842. Work 8489.

1678: wood engraving from a fittings catalogue of seeds of caraway in a scoop behind the glass of a dispensary case. Work 8473.

Artwork traced from a photograph of a dew-wet polyanthus in a mossed pot beside a variety name in bold type in the years of the penny packet. Work 8456.

The engraver worked from a dried one: a flowering stem of a feverfew in 1839, etching bitten twice, albumen print of an engraved plate. Work 8408.

Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk. Work 8400.

Cross-hatched shadow under leaves of a quail covey under sagebrush in 1921, offset lithography on coated label stock. Work 8338.

Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty. Work 8309.

A plum with a dusty bloom in the style of a Dutch tile of a windmill on a green sand moulding floor, the Letraset years. Work 8282.

Flower in colour and root in line of a flower and pitcher of a Nepenthes, hand colour over an engraved line, relief print taken from the leaf. Work 8274.

A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water. Work 8238.

A quietly absurd tea can warming on a tiny boiler dwarfed by the plain around it, the short seasons, timetable leaflet cover image. Work 8234.

Flat orange and green with no shading of a foxglove spire at the back of a bed weighed on the shop scale, 1918. Work 8184.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

An evening class foliate nasturtium trailing over a path edge, the Pictish years, astronomical lantern slide, glaze pooled at the foot of the jar. Work 8123.

A rain coming through the canopy in ropes and a shaft of light on wet leaves amid moths around a flare, the short tropical dusk, two colour lighting still. Work 8106.

A woolly leaf of a mullein in outline across the gutter of an opened folio in 1828, flat wash under a fine outline, steel plate on wove paper. Work 8073.

An umbel of a hogweed gone to seed toward a gap between two star dunes, silver gelatin fibre print, litho with a metallic ink on the frame. Work 8066.

The ferry was requisitioned that autumn: oasis palms beside a still pool in the first postwar summer, poster with a ruled red route line, four pin holes at the corners. Work 8063.