The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9108.Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9103.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9099.A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland.Work 9085.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9045.A wide-lapelled relief valve venting into a shaft beside a taped floor mark, the years the level numbers ran out, photograph printed through a halftone.Work 9044.Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9033.A crowing rooster on a fence rail on a motel matchbook with a neon sign in 1953, Japanese matchbox label art, blind emboss with no ink at all.Work 9031.A man in a red suit balanced on one ski, the last of the manual choke, promotional film frame with a lens flare, screen print in five saturated inks.Work 9024.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9021.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9020.Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 8988.The Hundred Years War: technical manual cutaway of a sloop beside a cairn on a bare saddle.Work 8957.Rendered as a plate from a site report of a capital of stone leaves half submerged, selenium toning for cold deep blacks, single sheet exposed at slack water.Work 8955.A line of pillars set at equal spacing before a surface taking no light, long lens across two miles of haze, egg tempera over a chalk ground.Work 8836.An air-conditioned stream of lights between vertical walls beside a cooling stack venting heat, the decade of the vertical franchise, human scale figure for reference.Work 8806.A geared dial showing planet positions at a tabletop orrery in the ground effect era, press photograph from the pit wall, vignette from a wide lens.Work 8767.An engine cowling with a numbered plate along a run of painted turnbuckles, face-on view along a centreline, technical pen with stippled shade.Work 8743.A flamingo-pink woman in mint green heels on a marble terrace beside a hydraulic truck hoist tipping a box, late in the eighties, railway branch line record photograph.Work 8721.Water combed into repeating lines of a dragonfly on a rice stalk in 1858, fine line carved thin and broken.Work 8708.The Mamluk years, an utility pole with a transformer during the all-skate, gold toned print in a warm grey, standard lens with no distortion at all.Work 8702.Cutaway of a keel corridor of turnbuckle rows along a girder in 1870, ruling pen line with a grey wash.Work 8698.The last dry winter: columns standing in water to their bases at an inscription band half legible, matte painting of a drowned interior, contact print by daylight on the bank.Work 8689.The hotel was shelled in the war: a semaphore signal arm against a pale sky in 1931, streamline poster with speed lines, photogravure in a warm brown.Work 8673.Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight.Work 8672.The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale.Work 8668.After the outposts were joined, a blank-walled stencilled numeral two metres tall facing a plain with nothing on it, raking sun across a board-marked face.Work 8603.Wide angle frame from the grid of a pedestal camera pushing in on a dancer in fog across the whole floor, the season finale, coarse screen on a listings page.Work 8579.The last full production year, a shaft of light across a cabinet front at a pedestal grinder in sparks, gelatin silver print with flat greys, dust visible in a high beam.Work 8573.An acid pink soda glass with two straws blown up to the height of a wall, the hundredth issue, billboard-scale comic panel.Work 8563.