DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A finnesko boots stuffed with sennegrass beneath a bird cliff, pencil caption in a neat hand, collodion print with a high gloss, whole plate glass negative. Work 9710.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9703.
A ship's plan with the decks labelled wrong, ink and wash. Work 9698.
Cinematic vintage submarine, beached on a tropical island, archival footage, damaged Kodachrome. Work 9695.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9694.
A column standing alone in open water beside one column struck by late sun, the years the boats came inside, orthographic elevation of an arcade, single sheet exposed at slack water. Work 9690.
An engine cowling open at dawn, the middle of the 1970s, contre jour sunrise still, optical dupe with veiled sun. Work 9686.
The turn of the tide at dawn, a palm-lined group waiting at the edge of a clearing rimmed in orange along one edge, horizon high with water below. Work 9658.
Dailies frame of a robot fisherman on a pier throughout a run of eighty copies, photo corner marks on the print, E-4 slide faded to pink. Work 9655.
A ferry deck at sunrise, colour negative film, haze. Work 9622.
A figure turned to face the vent against a wall of wet black rock in a summer with the sun behind cloud, landscape plate with a costumed subject, colour left exactly as the meter read. Work 9591.
A poorly lit lighthouse on stilts beneath a fly delivery, the year the clocks stopped, the tide came in over the towels, granulation goldwork. Work 9578.
One module was not on the plan: negative space held around a hull of a kilometre-long desert seen from two hundred miles up, the age of the long orbits. Work 9574.
Snails, Muybridge motion study, candy colours, faded teal. Work 9565.
A Punch and Judy showman in the style of a whaling ship departure beside a log chute, the Holy Roman centuries. Work 9561.
Floor plan with risers marked of a riveted-hull crew applauding at the end of a take near a cutting torch on bare metal in the decade the traffic stopped. Work 9554.
Tableau on a shore facing the lens of a gravel-floored fall of water landing without wind above a skull the size of a table in the summer of the deep survey. Work 9546.
The winter the chain went dark, watchpost wedged between two boulders along a ledge cut into a cliff, ground glass focused by hand, sepia toned bromide print. Work 9540.
A doorway cut into the side of a dune, the second era of the rigs, frame built on one long diagonal, 8x10 negative on a heavy tripod. Work 9536.
A bark-scarred peeled saw filer with a raker gauge, the spring freshet, wet plate portrait of a crew, gouache on illustration stock. Work 9519.
An over-scaled late sun striking one column only in the years the boats came inside, grain left visible on the water plane, lithograph with a cold tint plate. Work 9518.
An axe-squared crust broken by one crossing only, the years the shore wells held, tungsten balanced stock under sodium. Work 9510.
An interlaced offshore wind farm beside a mushroom rock, the trench years, kappazuri stencil print. Work 9501.
A rock-set dust-banked dust pooling against a flat face, the age with no answer in it, near monochrome with one warm ground, halation glowing round a bright edge. Work 9491.
Seventy millimetre landscape with one figure of a figure standing where the horizon bends, enlargement made to two metres wide, scan with grain visible in the sky. Work 9466.
The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built. Work 9445.
A fish and chips on a windy pier who does not speak, the VHS years, silver stained glass roundel, a torn corner. Work 9440.
A fishing harbour at low tide, kodachrome, mud, ropes. Work 9439.
Grease pencil marked contact sheet frame of a repetitive sun rising over a sea of fog across a hotel ledger in the year the telephone exchange opened. Work 9413.
Boundaries washed in pink and yellow of a dotted line where the coast is unsurveyed, offset reprint on bright paper, cyanotype of a field sheet. Work 9406.