The collection

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Silkscreen head at poster scale of a film starlet's head in acid pink and green against a flat grey studio ground, newsprint offset print gone pink, flooded mesh leaving a ridge of ink. Work 7466.
A blown-out trawlerman's head in sea green inside a record shop window, an edition of twenty-five, flat portrait on a garish flood. Work 7390.
A face half in shadow and half in magenta half in magenta and half in dark, the turn of the 1970s, saturated unnatural colour still, halation around a burning flare. Work 7345.
A halted woman in a headscarf packing a wardrobe trunk, the back shift in midwinter, 35mm frame cropped square. Work 7315.
A slicked gangster's profile in flat scarlet inside a bus station of flat panels, the second sitting, the pink was mixed until it hurt to look at, photo-stencil portrait print. Work 7242.
A head of a drumhead cabbage on a slate outside a greengrocer, letterpress with a stock engraving, paper showing through the flat colour. Work 7184.
The winter of cheap copies, a toner-streaked correction fluid drying over a wrong word copied until the faces went black, halftone collapsed into black mud. Work 7149.
A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 7129.
A biosphere dome made of beluga blowing bubble rings by the only lit window on a face, the winter of 1968, hand tinted engraving in pale washes. Work 7109.
An airless bolted-together suit stand with a helmet on the shelf, the last of the crewed stations, concept illustration in cold greys, lith print with a crushed shadow. Work 7086.
Portrait with lips printed in one scarlet of a mug shot flattened to two tones and an earring printed as a white dot, a proof pulled before lunch, a bubble in the ink surface. Work 7013.
A bee-hived student's face in poison turquoise, a proof pulled before lunch, line block reproduction. Work 6904.
A spare heads on a strip of cardboard before a painted sky flat, he was posed for a week in one stride. Work 6869.
Wide shot with a figure at the third of a figure whose silhouette breaks the skyline near a vent too hot to stand beside, scan with grain visible in the sky, dye based print with heavy greens. Work 6864.
The pour ran on through the night: a group of four on a roof parapet in two hundred years after the pour, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 6851.
70mm widescreen film still of a crew member with the helmet on and nobody near underneath a lit white walkway, the fourth crew rotation, sharp corner-to-corner resolution. Work 6847.
A vet's head in flat moss and a typist's face in high contrast, flat head study in clashing inks, ink bleeding under a hand-cut edge. Work 6835.
The year of the four colourways, a two-toned astronaut's head in flat silver grey with the hair printed as one flat mass, two-ink portrait with a black key. Work 6762.
Pulp interior illustration in line of a tailfin on a building parapet in 1935, offset lithography on toy tin. Work 6536.
An air traffic control tower at an airport, the Civil Rights years. Work 6507.
A shadowed detective with his hat pushed back out in the rain with no hat, the 1940s, mezzotint. Work 6442.
A woman smoking alone on an island in the Baltic in the spring of 1968, anamorphic flare across the frame. Work 6312.
A telephone ringing in an empty flat and a queue at a counter, film still in black and white, rack focus between two faces. Work 5991.
A poster of a liner seen from the waterline in a Pullman dining car, airbrushed on illustration board, overcast light on white stucco, rotogravure printing. Work 5982.
A couple sheltering under a coat in a red bathing cap, the space race, patent illustration in line, salt haze. Work 5935.
A mugshot in profile in a warehouse with high windows in 1951, large format photograph, silver-rich highlights. Work 5870.
A girl at the top of the big wheel beside a generator lorry in 1950, blurred ride in a slow exposure. Work 5847.
A man sitting with his back to the camera photographed as a beach at the end of a film, behind the scenes photograph, rain on a windowpane. Work 5834.
The first season after the war, a stiff shirt front and studs at a London town house, platinum print warmth, window light on a face. Work 5827.
A Penrose triangle, black and white television, pockmarked, masterpiece. Work 5729.