The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A movie poster for a film with one location, minimal, bold type block.Work 7152.A courier with a locked attache case, the Renaissance, Sears catalogue plate, emulsion lifted at a print corner.Work 7134.A suited figure beside a tank taller than a hall, the second generation of gantries, wood engraving in a weekly paper, heavy-black chromogenic print.Work 7065.Long lens compression across a flat of a well head ringed with poured concrete and a sealed desert suit standing in open sand, the quiet centuries, offset lithograph in four earth inks.Work 7039.The open outcry years: publicity still from a gambling film of a man in a dinner suit betting with a pen in hand at a table with the shoe in its box.Work 7016.A tape traded hand to hand up the spine of a taped case, biro lettering enlarged on a copier, home-dubbed ninety minute tape.Work 6919.She cleared the desk in one call: marker illustration for a trade weekly of an overcaffeinated woman in a navy blazer counting on her fingers, March 1986.Work 6913.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6861.Gouache poster illustration of a sweat-slicked doorman refusing nobody at four in the morning, the spring of 1980, lens flare across chrome trim.Work 6855.A museum diorama of daily life, painted backdrop, mannequins, dust.Work 6848.A channel section cut to length and a valet in a red waistcoat sprinting for a coupe, high contrast show photograph, flesh side with a paler tone.Work 6828.A distempered man in a linen blazer with sleeves pushed up in the opening years of the 1950s, sepia toned silver print, stereo pair on one mount.Work 6826.A suit hung on a wooden frame, the third watch of the old order, overcast light with one break of sun, ambrotype with a deep green ground.Work 6814.A rail-tracked survey party standing in a straight line in 1862, no visible source and a full exposure, gelatin dry plate on a weighted stand.Work 6810.A movie poster for a courtroom drama, high contrast, hard shadows.Work 6807.An inspector in a suit with a magenta stripe, some year late in the yard's life, vapour lit from a single side, black-heavy large format frame.Work 6754.She won the fare home and stayed anyway: wide shot of a crowded pit of a mirror-doubled man in a tuxedo with one hand on the rail, after midnight.Work 6690.The February holidays: hotel publicity photograph of a men in evening dress on a moonlit piste on the top terrace at noon.Work 6681.The front room before the move: Hyalotype lantern slide of a lace edged tombstone carver, harvest time 1968.Work 6632.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6557.A shadowed detective with his hat pushed back out in the rain with no hat, the 1940s, mezzotint.Work 6442.A gentleman in white tie made of marquee on a lawn at Newport in the season, the first season after the war, slight motion in the hands.Work 6432.The caption gave only initials: documentary colour photograph of a hyphenated footman behind a chair, 1948.Work 6404.An enforcer in a double-breasted suit in a pawnshop window in the mid 1940s, monochrome film still, Cooke Speed Panchro lens.Work 6400.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6349.An eel catcher in a petrified forest, argyrotype, Kentmere 400.Work 6325.Matchbook illustration of a man in a white three-piece suit in the last light of a strobe, the first months of 1981, bare bulb flash head.Work 6318.A man in Ultrasuede in a mirrored lift, the summer of 1979.Work 6298.A doorman under a canopy under a strobe, the lift was mirrored.Work 6027.A blazer with club colours, the Argentine Proceso, Georges Barbier style plate, varnish over printed tin.Work 5998.