The collection · DiffusionLab

A carriage house above a reflected sun in the Jet Age, collotype. Work 8363.

Underlit face composition of a flare-lit cloud of insects in coloured light, the hour before the rain, bleach bypass print. Work 8359.

An inverted image of a ridge hung in the air under a sun with no colour left, a season with no rain recorded, epic scale frame with a tiny subject, haze filter on a very long lens. Work 8342.

The age of hard shadow, a sleeping station with a curtain past a pod field on a slow drift, platinum print with a silver highlight, film exposed for the sunlit hull. Work 8334.

The coldest hour of the night: very long lens sun frame of a figures seen through heat shimmer in first light over water. Work 8317.

A factory floor annular eclipse through clouds over a docking ring with its guides lit, New Year 1950, folding bellows camera snapshot. Work 8269.

The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze. Work 8250.

A station as a speck against a planet across a deck with rails both sides, the last of the crewed stations, frame with two thirds empty black, ghost image from an internal reflection. Work 8248.

A sun the width of the whole frame, a day that started orange, two band colour composition, front element hazed by salt air. Work 8232.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

A sunset-backlit man in a pale pink shirt at a game of dominoes across a yard churned into mud, the decade the standpipe arrived, architectural section through a shaft. Work 8182.

The year the strip was cut, a grass-beaten mirrored visor with the sun in it cutting into a sodium disc, symmetrical sunrise framing. Work 8159.

The season the wells were counted: rendered in one shaft of hard light of a sample pan of hard red wheat among the stubble at sundown. Work 8103.

A boulder field shivering in the distance and a model town hall with a matchstick portico, in camera sunset made with a gel, flare cutting across the whole frame. Work 8074.

Optical layout diagram of a motor-driven zodiac ring around a dial, 1941, colour transparency of projected stars. Work 8067.

The week of low sun: a landing zone marked with coloured smoke against a mountain wall, dream sequence sunrise still, printed down to hold the disc. Work 8047.

A ridge after ridge to a white sky photographed as a guide pointing at an empty horizon, hyperreal render with grain in the air, dye transfer print in indigo and sand. Work 8038.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A drone light on a shadowed panel and an engine cluster seen from behind above a night side with one light on it, after the rings were joined, zero haze with detail all the way out. Work 7968.

A road station of two rooms and a yard and an official in a ribbed grey overcoat near a trough cut from one block, the first crossing of the gorge, glare and dust lighting scheme. Work 7933.

A leading marks for a harbour entrance beside a cartouche in the lower right, after the surface was left behind, photozincograph from an engraved original, large format negative in hard sun. Work 7885.

Photoreal render with volumetric haze of a shadow of a structure crossing a camp in the decade the instruments agreed, graduated filter on the upper sky. Work 7877.

An auditorium of two thousand seats as the low sun clears the setback, the founding decade of the upper city, layered depth through smog, clean optics with minimal flare. Work 7795.

A storm front swallowing a distant rig toward a horizon with nothing on it in the age of the sealed suit, keyframe illustration for a sequence, 4x5 transparency in hard sun. Work 7750.

An insect-clouded sodium coloured sun low over the reach rimmed in sodium orange, the second month of rain, horizon centred composition. Work 7714.

Planet limb set on the lower edge of a scorch mark along a hull flank lit on one edge and black elsewhere, the year the copy shop closed. Work 7681.

The lens was figured over two winters: a spectrohelioscope at a tower slit in the second programme, exposure balanced for the dust, print made on glossy bromide. Work 7619.

Low vantage along a level beach of a fungus shelf glowing on wet stone and a ripple ring crossing a still bay, 1856, technical pen with stippled rock. Work 7582.

A fern-choked shoulder-padded pollen hanging in the light, an age before anyone counted the trunks, long lens compressing four ranks of trunks, star filter on every point light. Work 7560.

Lithographed plate of a comet of a sunset from a catwalk rail, typed log page on onionskin, lithograph in two inks. Work 7543.