The collection · DiffusionLab

1774, a hemstitched Tree of Life in polychrome crewel with the name spelled short of room, rococo stitch in tiny blocks. Work 9636.

A sounding pole marked in bands of paint in the style of a depth pole held over the side on a river the colour of tea, a week with no mail. Work 9623.

Lithograph in black with one red ink of a radiation from a blackened bulb in the years of the mechanics institutes, octavo leaf trimmed close. Work 9550.

Muted pastel over deep shade of a fabric patch cemented over a tear near a bank of engine telegraphs, the summer of the long mooring, bellows extension with a shift applied. Work 9543.

A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 9528.

A nightjar crouched along a branch along the border of a lancet in around 1200, steel engraving in cold black. Work 9525.

A peasant pruning vines in March, full page miniature with a bar frame, the pigment ate through the skin, goatskin parchment with open follicles. Work 9489.

A bucking saw across a windfall among stumps and snags, timber cruise field photograph, sepia print on rough stock. Work 9470.

Something had cleared the leaves in a ring: long exposure smoothing a shallow stream of a slow-grown seated stone figure gone green with moss, the years before the track was cut. Work 9458.

Diagram of a crossover in outline of coloured floods washing the maple in a Saturday afternoon in 1980, ambrotype with a deep green ground. Work 9457.

A headstone with an unreadable epitaph, wet plate collodion, moss. Work 9441.

A mineral spring pavilion past a machine parked and switched off, 500 BC. Work 9435.

A bristling Japanese maple beside a four door saloon, the grunge years, cold blue shadow against orange lamp. Work 9434.

The year of the big burn, a sap-sticky bunkhouse with double bunks on the last turn of the day, watercolour of a flume trestle. Work 9415.

Hallucinatory jungle treatment of a canopy underside lit by a flare in a haze of stone dust, the short tropical dusk. Work 9410.

A mouth of a shaft in open ground on a path approaching from one side, horizon set on the lower third, platinum print with no true black. Work 9396.

A magenta-lit burnt patch of ground still smoking, the week of coloured smoke, night for night forest frame, internegative one generation down. Work 9386.

A still water reaching away into the dark, lithographic plate from an expedition, the water was the same level all year, gouache on a toned ground. Work 9382.

A white-striped trunk painted with a white ring, a morning of low cloud, photograph of stillness held for a minute, frame with the film edge left visible. Work 9350.

A branch of quince with two fruits, the 1840s, bodycolour on prepared paper, cyanotype on hand-coated rag. Work 9326.

A corn maze from above, lake monster sighting photograph, the canopy closed again by morning, screen print in three passes. Work 9316.

Caulk-marked creek-washed cedar bolts floating down a stream, 1915, wool clothing advertisement illustration, album page with pencil captions. Work 9280.

Poster print pulled in one afternoon of a stone temple tower above the canopy in one year after the road closed, faded top sheet from a sunny window. Work 9264.

The summer of 1923, a white-flannelled wishing tree measured in fathoms and written down, Marey chronophotograph. Work 9247.

A rain-darkened smoke sitting flat above the moat between the forest and the stone, the years of the survey, the haze had a colour of its own, two colour lighting on stone. Work 9239.

Votive ship model of a garden railway engine, two heads on the riser portrait, soft focus from a single element. Work 9224.

The winter after the crop failed: country weekly photograph of an elevator shadow long across a grid road at the end of an elevator spur. Work 9202.

The age of the walking routes, a dead shrub holding a scrap of cloth beneath a sky bleached to bone white, flare cutting across the whole frame, glass plate with a dusty emulsion. Work 9195.

A tree just beginning to go over and caulk soles biting into a log, panoramic view camera photograph, duotone plate in brown and black. Work 9191.

A block with a chisel mark still in it above a sea of treetops, the season the forest came back. Work 9169.