DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A rope walk laying up a hawser, 1899, social documentary photograph of gutters, low contrast in flat sea light. Work 9925.
A level-poured bore casing standing above bedrock with a rope going down out of sight, the month the herds doubled, symmetrical composition around a rim. Work 9902.
A Rai stone in bell bottoms with a hem that drags, the Baroque years, UFO sighting photograph, Lomography Color Negative 400. Work 9897.
A lighthouse on a clear day, kodachrome, saturated, hard shadows. Work 9873.
Two shapes standing far apart on a flat, a season with no rain recorded, held wide with the subject dead centre, medium format chrome at midday. Work 9849.
An outrigger canoe on a turquoise shelf, the first postwar summer, airbrushed travel poster lithograph, flat ink with a visible knockout. Work 9832.
A landscape where the figure reads as a mark made of ridge of red scoria against grey sky under a sky of flat grey cloud, the third winter of the survey, polarised sky over black rock. Work 9815.
A long-tailed duck in winter, 1804, brush and ink in the Japanese manner, silverfish grazing at one corner. Work 9788.
Woods operations survey photograph of a skid road town at the waterfront in the year of the big burn, matte surface silver print. Work 9782.
A cloud-piercing architect's section plate pinned to a wall along a boardwalk over hot ground, the years the sun reached only the crowns, low angle hero shot of a tower. Work 9772.
Four flat inks with no shading of a rowing boat tied to a willow, sugar paper mounted on a wall, dye transfer from a hand tinted plate. Work 9764.
Oil on panel in the Dutch manner of an eye bath of blue glass on a marble slab worn hollow, before the pharmacopoeia was fixed, albumen print gone yellow at the edge. Work 9753.
A slow-hauling salt-blinded salt block waymark whitening further, the season the pan stayed dry, composition with the sky filling two thirds, polariser cutting the sheen off brine. Work 9734.
A bateau on a drive river under a sky full of smoke haze, the whistle punk was fourteen. Work 9726.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9722.
Helicopter photograph of a terrace of a depressurised helmet alone under a work lamp at the head of a docking approach in the years of the sealed modules. Work 9713.
A finnesko boots stuffed with sennegrass beneath a bird cliff, pencil caption in a neat hand, collodion print with a high gloss, whole plate glass negative. Work 9710.
A ship's plan with the decks labelled wrong, ink and wash. Work 9698.
Cinematic vintage submarine, beached on a tropical island, archival footage, damaged Kodachrome. Work 9695.
A column standing alone in open water beside one column struck by late sun, the years the boats came inside, orthographic elevation of an arcade, single sheet exposed at slack water. Work 9690.
A garland of leaves worn across the chest in the style of a puddle holding a green sky among bottles hung on string, the week of coloured smoke. Work 9681.
Dailies frame of a robot fisherman on a pier throughout a run of eighty copies, photo corner marks on the print, E-4 slide faded to pink. Work 9655.
The year the slum clearance began: a bashful steeple poking out of a reservoir, driving licence photograph, Bergger Pancro 400. Work 9653.
A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.
A kid-gloved man in a silk scarf with a phone in a case beside an apostle holding a closed book, around 1320, mirrored composition in wet tarmac. Work 9630.
A sounding pole marked in bands of paint in the style of a depth pole held over the side on a river the colour of tea, a week with no mail. Work 9623.
A ferry deck at sunrise, colour negative film, haze. Work 9622.
A figure turned to face the vent against a wall of wet black rock in a summer with the sun behind cloud, landscape plate with a costumed subject, colour left exactly as the meter read. Work 9591.
A depopulated archer loosing an arrow in a margin, the second era of the quarries, verdaccio flesh with a rose glaze, large format sheet film at f45. Work 9587.
A poorly lit lighthouse on stilts beneath a fly delivery, the year the clocks stopped, the tide came in over the towels, granulation goldwork. Work 9578.