The collection · DiffusionLab

Brick-red two ranks of ringers facing each other, two hours before noon, frame with the last figure half in it, negative with the notch code showing. Work 9641.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 9628.

A clay woman in a poster paint apron with grease where a hand held it, the school term of 1965, animation cycle repeated four times, off air recording with a soft picture. Work 9627.

A mica-grounded child catching fireflies with a fan carried across three sheets, 1765, kappazuri stencil-printed sheet. Work 9624.

The first season of the mast, a steward in a short white jacket in front of twelve men in matching tunics, letterpress with a tissue overlay, limelight aimed into a large space. Work 9615.

A bandsman's head in hot red beside a fairground booth front in a session in 1975, portrait in chrome yellow and violet, print taped to a studio wall. Work 9614.

A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 9607.

The wedge years, a man in a leather blouson beside a turbo badge beside a doorman at a brass rail, print with the corner clipped for a file, monochrome print on glossy fibre paper. Work 9605.

A mask with a face behind it that is also a mask among drifting hull fragments in the Gothic Revival years, smoke-filled stage underground, Agfa Ultra 100. Work 9596.

The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.

The last full production year: safety handbook figure with arrows of a welding hood with the visor down against a wall of glazed brick. Work 9575.

A papier mache cliff over a wire frame photographed as a rubber lip peeled back from a jaw, wire removal done badly in the optical, release print with reel change marks. Work 9566.

A cropped tight eucalyptus-lined fairground barker's face in scarlet, a run of six heads in six inks, portrait with the shadows as one black, print pinned through four corners. Work 9559.

A man in a striped blazer carrying two toboggans outside the lift house door in 1990, hard flash with a polished reflector. Work 9557.

Still from a resort advertising film of a man in aviators asleep with a book on his face and a man in a yellow shirt hailing a water taxi, the summer nobody went home. Work 9552.

A woman in a headscarf on a hotel roof terrace at a wheel stack behind a garage, the shift with no supervisor on, works handbook illustration, four colour halftone on gloss stock. Work 9539.

The flag still stood on the return: snow goggles with slits cut in them in the winter of 1915, coastal profile sketch, bromoil with brushed texture. Work 9533.

A bark-scarred peeled saw filer with a raker gauge, the spring freshet, wet plate portrait of a crew, gouache on illustration stock. Work 9519.

Colour study of red wool against green of a copper-crested mask of moulded felt with two slots, the year the rope was replaced, scan with grain showing in the cloud. Work 9515.

A figure in a shawl of beetle green thread and a painted arrow faded to a ghost beneath a sky bleached to bone white, late in a season of still air, long lens compression across bare ground. Work 9497.

A nurse in a Pacific field hospital on a rain-black street in the fourth printing, impasto highlights over a thin wash, staple rust marks on a digest. Work 9492.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9467.

A pipe cleaner soldier in a scarlet coat behind a proscenium of painted hardboard in the week of the village pageant, vision mixer cut between two cameras. Work 9461.

A crew member with a helmet tucked under an arm, arc light blowing out one corner, the suit was three sizes off and worn anyway, colour negative timed for the suit whites. Work 9459.

The height of the motor show boom, a chrome-bumpered couple beside a coupe with the doors raised with driving gloves still on, corporate portrait beside a company coupe. Work 9443.

An off-cut long-exposed flower head in sixteen colourways, an edition of two hundred, optical shop record photograph, print made on glossy bromide. Work 9407.

A brilliantined keffiyeh in the last summer of the 1910s, a laser print of a photograph, green laid over a yellow underprint. Work 9398.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9394.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9392.

16mm puppet play telecined to tape of a sequin trimmed felt hedgehog spiked with cut bristles, the last season of a puppet series, grain lifted by an old duplicate. Work 9374.