The collection · DiffusionLab

Confessional diary photograph of a kurent, streetlight through a rainy window, half plate negative held level. Work 8962.

2525: time served twelve windows in perfect rotation, enamelled glass beaker, caffenol development. Work 8944.

A clock mechanism the size of a room, wide angle, single bulb. Work 8931.

Duotone photograph with flat type of a plywood-built glass curtain wall at a corner, the Basel school years, collotype with a soft continuous tone. Work 8904.

An epoch with no surviving date, a re-engraved witch ladder reaching further than the light goes, Tiffany leaded glass window. Work 8896.

Yellow stain fired to a warm gold of a traced front door panel with a house number across three lights of one window in around 1420. Work 8889.

A tube rack of eighty identical mouths in the style of a ruling pen wiped on a cloth up a ladder to the high pigeonholes, the winter the sheets were copied. Work 8832.

A rebus of a name in a border, Arts and Crafts glazing in clear lights, it came out of a house being pulled down, lead came stopped with oily cement. Work 8820.

A scratched vine leaf border in ruby and green within a vesica of ruby glass, late 13th century, the kiln lost a whole panel, small pieces jewelled into a border. Work 8816.

A frosted glass pine-shaded kishi with a hyena face behind its hair, the autumn of 1952, allotment society photograph, ink and wash on antiquarian paper. Work 8809.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

A stand in figure for a lighting test made of tower flank ribbed with a thousand windows across a desk from two examiners, two mergers after the charter, spherical wide angle with deep focus. Work 8772.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

An afternoon that did not end, a spout carved as an animal head beside a beam nodding in a stone room, grain sitting in the shade, carbon print in a cool pigment. Work 8760.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

A medallion window of small scenes in front of a slope of green turf, the long 1970s, telecine transfer frame, HP5 pushed two stops. Work 8720.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

A prophet with a banderole of lettering picked out of a dark matt, mid 13th century, copper foiled glass with narrow lines, paint fired onto glass in a kiln. Work 8648.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

Machinery portrait on a plinth of a suited pair reflected in a curved bulkhead in some year after the last window was sealed, negative exposed for the highlights. Work 8640.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A shadow of a rail across concrete along a band of ribbon windows, white space treated as a shape, wood type printed over a flat ink. Work 8613.

A stole of matted grey fleece over a gilding cushion, instructional film still on composing, foul proof with red corrections. Work 8587.

Mail order catalogue sheet of a disused turbine hall as a venue, offset litho in black and one spot, grainy bromide enlargement. Work 8581.

Wide angle frame from the grid of a pedestal camera pushing in on a dancer in fog across the whole floor, the season finale, coarse screen on a listings page. Work 8579.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass. Work 8554.

A wind-filled half-visible brass tray left in the open sun, a week of unbroken white sky, telephoto shot flattening a whole valley, emulsion scratched down one edge. Work 8553.