The collection · DiffusionLab

A ship model in a lobby vitrine, architectural elevation in ink and wash, the blueprints were lost in the move, flat even north light. Work 6562.

A scaffolded megastructure core with capsules removed shaded by deep overhangs, the post war years, Ezra Stoller style photograph. Work 6556.

The jazz age, a stair balustrade of chromed tubing on a rendering board, photogravure plate, sepia toned print. Work 6553.

The first week of October, a listed civic hall with a raised forum with a service tower alongside, Diane Arbus style photograph. Work 6549.

A mildly offended bishop's palace beside a serac field, the mid 1860s, behind the scenes production still. Work 6547.

A board marked bas relief of workers in concrete from the far side of a dual carriageway, 1928, model photograph with a painted sky. Work 6545.

Black and white documentation print of a plinth with nothing on it at a London institute of art, 1981, sequence shot on one roll. Work 6543.

A footprints on a wet sidewalk made of sedan with running boards in a lobby with a potted palm, the mid 1940s, barn doors cutting the spill. Work 6539.

An elephant in a hotel lobby, wide angle, marble, chandeliers. Work 6537.

Pulp interior illustration in line of a tailfin on a building parapet in 1935, offset lithography on toy tin. Work 6536.

The building was never finished: a Cinema Vox facade in Casablanca in the year the liner was launched, enamel sign painting, airbrushed on illustration board. Work 6532.

The post war years, a lecture theatre with raked seating on a Brasilia esplanade, fill flash in a dark lobby, north light through a clerestory. Work 6530.

The turn of the 1980s: neon sign design of a bass horn under a balcony at the end of the bar. Work 6529.

A future built over an older one: video still from a security feed of a radio set with a lit dial in an alley two metres wide. Work 6525.

The architect never saw it finished: amateur cine club film frame of an anodised hotel block at Golden Sands, 1932. Work 6524.

A pressed metal ceiling in a bank hall and a perfume counter under frosted globes, Frank R. Paul style cover painting, grain from a fast plate. Work 6523.

A cooling tower in reinforced concrete above a river valley, charcoal study of a mass, Portra 160 negative. Work 6521.

Lithographed travel poster of a palm fringed propliner parked at a palm fringed field on a whitewashed lane of steps in 1972. Work 6520.

An asylum garden with benches in a convent corridor, 1961. Work 6519.

A tripod steady folly castle with a clipboard held like a shield, the autumn of 1974, asylum patient record photograph. Work 6513.

The reconstruction years, a scaffolded Expo tower with interchangeable cabins in raw concrete and glass, measured elevation in ink. Work 6512.

Saturated colour brochure photograph of a pavement cafe under an awning with fruit speared on a stick, the Concorde years. Work 6511.

A bathing hut on the Lido di Venezia on wet sand at low tide in the school holidays, 8mm film grain. Work 6509.

A motel conference room lectern photographed as a motel sign with a creature on it, blurred telephoto frame, Instamatic 126 negative. Work 6506.

Set reference photograph of a reliquary chapel and an odd job man, the trench years, Ilford FP4 Plus. Work 6503.

A ziggurat setback crowned in nickel in a hotel lobby lined with marble, subway platform poster, night exposure with wet pavement. Work 6500.

A Havana lobby lined in green marble, industrial catalogue illustration, nobody remembers the band's name, ink and wash on tracing paper. Work 6497.

1951, a survey photograph of a suburb plugged into a megastructure core, hard midday sun on concrete, Kodak Tri-X in daylight. Work 6496.

Dolly frame along a corridor of a wind moving a curtain on an unmade road, the late 1950s, high contrast printing. Work 6485.

The mosaic was saved and the rest was not: Bechers style typology of a lichen spotted sgraffito panel on a stair tower, the reconstruction years. Work 6484.