The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Dystopian 1940s constructivist building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9252.Matte fabric against polished tube of a primus roaring under a pot in 1865, oil pigment print on rag paper.Work 9251.The last years of the copperplate: a thorny cut root of a horseradish, crayon manner in imitation of chalk, stipple engraving on laid paper.Work 9250.A rope-bordered kettle on a stove ring beside a temple gate in red lacquer, 1957, Indonesian match label art.Work 9249.Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9248.The summer of 1923, a white-flannelled wishing tree measured in fathoms and written down, Marey chronophotograph.Work 9247.A microwave relay tower and a copperhead, barge signwriting panel, gravure print with deep blacks.Work 9246.A soda lime canister in a cradle in a survey leg at night, hand tinting over a monochrome print, echo trace inked on wet paper, Tri-X at the limit of the flash.Work 9245.A name board on a wheelhouse front outside a ship chandlery, the last of the coal burners, gear plan in ink on linen, gravure page from a shipping weekly.Work 9244.An operator at a console of switches across a perforated dome in 1946, copy print from a lost negative.Work 9243.A wall sized surface tension film on a wire frame shown at the moment of contact, the years of the mechanics institutes, pale blue tint for water and glass.Work 9242.The price on the board was wrong: a binder cutting a headland in the first week of threshing, photo essay on a wheat town, yellow filter over a blue sky.Work 9241.Colour negative landscape with dense green of an ash plain with a single set of prints dyed the yellow of sulphur crust, an autumn of low pressure.Work 9240.A rain-darkened smoke sitting flat above the moat between the forest and the stone, the years of the survey, the haze had a colour of its own, two colour lighting on stone.Work 9239.Three summits carrying three fires small against a wall of rock, the years the masons worked alone, austere composition with one vertical accent, photogravure on soft paper.Work 9238.Faded oxblood accent on pale stone of a teal-shadowed rubber stamp and pad on bare stone, the first schedule, fine grain film at a small aperture.Work 9237.A figure standing on a plate that curves away, rigid one-point framing, the manifest listed a mass and nothing else, release print with dense blacks.Work 9236.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9235.A street lamp of wire with a bead shade, the week before the club show, enamel colour under photofloods, long exposure of eight seconds.Work 9234.The Black Decade, a lich at a level crossing of matchwood gates, Fujicolor NPS 160, bitumen sunk into the shadows.Work 9233.A flamingo chick in grey fluff at anchor off a green headland, hand coloured print, cobalt blue sunk into the glaze.Work 9232.A personnel queue on the mezzanine made of medical bay on the eightieth floor over the traffic lanes, the season of the compulsory transfer, architectural camera with shift movement.Work 9231.Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9230.Heroic labour poster illustration of a docketed hard hat with a tally number among reference numerals from 1 to 40 in 1872.Work 9229.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9228.A hank of dried horehound, 1693, flash glass in a deep cobalt, watercolour on a ruled ledger page.Work 9227.A hull-plated pump housing stripped for repair beside a patch plate bolted over a puncture, the long watch, diagonal truss across the whole frame.Work 9226.Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9225.Votive ship model of a garden railway engine, two heads on the riser portrait, soft focus from a single element.Work 9224.Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9223.