The vintage era of AI art, and its electric sheep.
The collection
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A heavy silver kelp forest, panchromatic glass plate, bored to tears, rain in streetlight.Work 5664.The ending was shot first: Techniscope frame of a peasant corridor with doors on both sides, 1965.Work 5662.A crinoline made of death mask, ministerial, Life magazine photo essay, blue distance.Work 5651.Sunburnt cinematic frame of a wrecking yard on a salt pan, desaturated with a warm cast, white glare off the salt.Work 5649.A fluted chrome elevator door with a chevron inlay beside a raked funnel, 1935, the liner burned at her pier, travel agency window display.Work 5643.A silkie chicken and a power station cooling tower in 1969 at a drive-in, Adoration of the Magi panel.Work 5641.1950, a soot-blackened funnel cake under sugar with the lights coming on, linen finish postcard.Work 5640.Seamless studio product shot of a well groomed window streamer taped inside the glass, the doctor endorsement years, Kodak Vericolor II negative.Work 5628.A hollow eyed skittish hákarl, the Reconstruction era, blurred distant figure photograph, Fuji FP-100C peel-apart.Work 5624.A spread of small portraits on a page with three feathers in her hair, the early 1930s, couture house photograph, sun through a striped awning.Work 5620.Fairground showman's poster of a doughnut machine turning them out at the State Fair of Texas, 1968, halation around a bulb.Work 5619.A zebra in a snowstorm, wildlife photography, telephoto, high contrast.Work 5614.A half-deflated curtain pulled behind a sliding door, the bicentennial summer, faded holiday snapshot, heavy over-exposure.Work 5612.A dog standing on its hind legs at a window, polaroid, faded.Work 5609.Bernd and Hilla Becher typology of a giant african land snail on a desert island, through binoculars.Work 5607.A news anchor made of tree bark over an industrial estate, a wake in the church hall, marble statue, thermal fax paper.Work 5605.An airport-lounge handheld electronic game posing for a sculptor, liquid emulsion on stone, warm light.Work 5600.Nothing grows past this line: a shotgun clipped inside a door in the years after the wells were capped, press photograph, shot on expired stock.Work 5597.A motionless radar scope with an operator, 1967, hazy midday light.Work 5596.A radio that receives nothing, Horst P Horst photograph, nonexistent, from a lifeguard chair.Work 5595.A dance band in matching white jackets in the style of an architect's model of a stepped tower under a searchlight, 1927.Work 5584.A silo cluster beside a rail siding and a family behind a windbreak at the foot of a cliff lift, the summer of 1976, Julius Shulman style photograph.Work 5577.A nocturnal silver birch with too many strings, fauvist painting, Agfa Precisa.Work 5572.Northern Renaissance portrait of a traffic warden's notebook inside a pocket watch, Ilford FP4.Work 5559.Liquid emulsion on stone of a fern unfurling on a kitchen table, Petzval lens.Work 5556.A parcel containing a storm in the style of a receipt for the ocean, tintype sheen.Work 5554.A minesweeper made of potting bench, spindly, prom photo, halftone dots.Work 5531.A chipped nuclear bunker blast door on the first day of creation, photojournalism, fax transmission, broad lighting.Work 5526.A salt dome covered in sequins in a sewing room, exhibit B, action painting, ring flash.Work 5509.A kiddush cup that is also a door inside a wardrobe, the sound of a lemon, choose your own adventure, fogbow.Work 5507.