The collection · DiffusionLab

A screaming two attendants flanking a geared model reduced to cyan and black only, the spring the clock was regulated, nib outline filled with even dots. Work 9894.

A granite-cut lintel carved with nine concentric rings with the chain still hanging across, a season when no courier came, matte painting of a beacon chain. Work 9890.

A milestone half sunk in pale grit toward a ridge that keeps moving, static locked frame on an empty plain, contact print off a large negative. Work 9888.

Planetary orbits to scale and an accumulator on charge and on discharge, broken line for a construction, photogravure on smooth etching stock. Work 9877.

A steel-skinned comet tail over a dome in 1897, flash powder light in a dome, print faded to a warm brown. Work 9871.

Polar expedition plate of a secretly pleased xiezhi at the curtain call in the Yuan dynasty. Work 9869.

A markless hand painted banner of one word in a week of flat white weather, print with the black held very deep, daylight stock rated at thirty two. Work 9862.

Microfilm frame of a photograph of a wineskin, a white sheet as a reflector, minilab enprint. Work 9860.

Ministry of information photograph of an office junior carrying a tray of cups on a rug in front of the set, Dynachrome 25, a rescreened halftone. Work 9855.

A trench cover slab lifted aside made of chainlink fence with a bowed top rail past a gatehouse window grille, the night the yard lamps stayed on, 6x7 negative on a night tripod frame. Work 9848.

The root was bought at a market: a flowering stem of a field bindweed in 1842, mezzotint in dark brown, lithograph on thin plate paper. Work 9844.

The sounding line ran out at two hundred: a flowstone terrace in even steps in the summer of 1995, sprocket holes visible along the edge, orthochromatic emulsion at half speed. Work 9843.

A brittle whiteout with no horizon at all in 1916, gaslight paper print, whole plate glass negative. Work 9842.

A figure between the slab and the sun, a late year of the survey, brutal contrast of black and pale, print struck to hold the sky white. Work 9836.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

The line never stopped for anyone: a twin figures either side of a press in the third week of a shutdown, flat graphic figure in black, print spotted out with process white. Work 9821.

A haze-flattened line of pylons marching to the horizon trailing a plume a mile long, after the last well was capped, bleach bypass with a hard shadow. Work 9820.

Bauhaus typographic poster of a triangle balanced on its point in an even light with no shadow, the Weimar years, uncoated stock with a soft bulk. Work 9817.

A shimmer-edged band of silver where the ground should be in a hundred years of the same weather, 4x5 transparency in full glare, 70mm print struck for a huge screen. Work 9803.

Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window. Work 9802.

A vegetable garden overrun by zucchini at the foot of a cut bank in the Chola years, fast monochrome film at 400 speed. Work 9794.

Woods operations survey photograph of a skid road town at the waterfront in the year of the big burn, matte surface silver print. Work 9782.

Rubber stamp print artwork of a sound man with headphones on one ear, reversal film with blocked highlights, open reel video tape frame. Work 9779.

1970 cartoon, animation, film still, distressed. Work 9775.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 9774.

Third generation photocopy image of bristle whiskered clams steaming under seaweed when the cameras stop rolling in the ancien régime. Work 9770.

Desert approach road photograph of a granite-founded mercury basin under a transit down a long spectrograph well in the late 1890s. Work 9766.

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9763.

A woman in a halter dress lifting a chrome kettle and a man in a bold striped shirt at a calculator, tabloid nightlife photograph, magazine halftone at 150 lines. Work 9760.

A sensor mast planted beside a face photographed as a tent line in the lee of a monolith, no fill light on the shadow side, orthochromatic stock with a white sun. Work 9758.