The collection · DiffusionLab

A clock mechanism the size of a room, wide angle, single bulb. Work 8931.

Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening. Work 8912.

Cyberpunk jungle airship. Work 8900.

A fluorescent-lit audience lit from behind only, the big bang year, cut and paste flyer artwork, stencil sprayed through thin steel. Work 8843.

A tube rack of eighty identical mouths in the style of a ruling pen wiped on a cloth up a ladder to the high pigeonholes, the winter the sheets were copied. Work 8832.

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

A ladder in a shaft lit at the top photographed as a signal lamp glowing red in the dark, practical lamp in frame, smoke haze on an underground set. Work 8788.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

An afternoon that did not end, a spout carved as an animal head beside a beam nodding in a stone room, grain sitting in the shade, carbon print in a cool pigment. Work 8760.

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.

A fabric-skinned barograph trace under a glass lid beside sconce set between two panels, the second ascent, three depth planes with mist between. Work 8752.

The hour before the light changed: a scaled barrier of pale mint panels, institutional brochure interior, blueprint of a lobby plan. Work 8750.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

Cartouche in a plain neoclassical frame of a contoured camp ground laid out in rows on a plate reissued with new railways in the first survey of the county. Work 8742.

A wind tunnel with nothing in it, industrial photography, hard light. Work 8740.

Low key portrait under one lamp of a hand on a cradle with its fingers spread, mixed fluorescent and tungsten sources, hard lamp with a controlled falloff. Work 8729.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

A hotel breakfast room before opening, tungsten light, set tables. Work 8688.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

Scale contrast with an enormous vessel of a shelf of blank faces on stands and a security officer at a laboratory gate, two revisions past the first schematic, chrome reflection of a lit ceiling. Work 8615.

A shadow of a rail across concrete along a band of ribbon windows, white space treated as a shape, wood type printed over a flat ink. Work 8613.

A cold-toned bright disc of the surface overhead in the year the bell was lengthened, uncoated glass flaring on a lamp, magnesium flash fired under water. Work 8604.

A salt-ringed forked post holding a crossbeam behind a wall of stacked loads, the season every herd came at once, dark robes against pale limestone. Work 8593.

A Louisville-style wooden bat at a wardroom table, the machines were always five. Work 8584.

Mail order catalogue sheet of a disused turbine hall as a venue, offset litho in black and one spot, grainy bromide enlargement. Work 8581.