The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
The front room before the move: Hyalotype lantern slide of a lace edged tombstone carver, harvest time 1968.Work 6632.A cattle gathered at the far fence and a Futurama model of a highway city at the edge of a logging road, the World of Tomorrow, newsreel frame.Work 6625.A double exposed California poppy, the Expo 67 summer, an incident meter reading.Work 6583.A geiger counter over bare ground in Del Norte County, headlights raking a field, Tri-X pushed two stops, low sun behind the subject.Work 6541.A season after the convoys stopped: polarised landscape photograph of a radio mast guyed with cable in a cloud of its own dust.Work 6482.A roll of caps in a windmill, the spring of 1954, Ordnance Survey field record photograph, an umbrella to the left.Work 6421.An earnest shape over a hayfield beside a photographic analyst at a light box, the summer of 1967, topographic map detail.Work 6331.Freeze frame from a broadcast of a centre pivot irrigator crossing a field on a river bank in July, the year the service station opened, yellowed print from poor washing.Work 6141.A survey stake in bare ground made of circle of stones on a hillside along a Roman road, the summer of 1969, onionskin second sheet.Work 6130.A king size cigarette machine with its pull knobs on a ranch fence at golden hour, the mid 1950s, nine out of ten prefer it, cropped and keylined layout.Work 6099.A sentry on a water tower platform across a field of ventifacts, the far side of the collapse.Work 6095.A horse in a field at dawn, the last year of the 1970s, club logo in chrome lettering, high contrast black and white.Work 6045.A photographic analyst at a light box in the style of a bronze plaque by a lay-by beyond a wire fence, 1954.Work 5962.A dust devil crossing a field, telephoto, heat haze.Work 5930.A teepee unit at a Wigwam Motel, amateur colour slide, it was hotter than it looks, Newton rings from a glass mount.Work 5828.Super 8 frame of a trailer sheeted in corrugated iron and a windmill pump over a dry bore, the last stretch of the old century, day for night exposure.Work 5797.Topographic map detail of a burned circle in a wheat field on a courthouse step, 1995, dusk that ate the detail.Work 5755.An airfield with one aeroplane, kodachrome, heat shimmer.Work 5724.A storm arriving over a flat landscape, cinematic, beautiful.Work 5499.Giorgione pastoral of a haboob in a Mauritian sugar mill, Fernand Leger canvas, the armistice, amber monochrome.Work 5446.Feel the sound: an incinerator during the Grand Tour, first day cover.Work 5444.A fur trimmed radio announcer in a field of blue flowers, Degas pastel, Ben-Day dots.Work 5423.A storm arriving over a flat landscape, long exposure, dark sky.Work 5359.Antique vintage postcard of anatomy of a dandy lion, floating pastel balloons, and a bed of colorful tulips in the foreground, and growth.Work 5303.A rice terrace in the style of a light pillar, puddle reflection.Work 5284.A dust devil crossing a field, telephoto, heat haze.Work 5257.A weighbridge with nothing on it made of set of jacks, half-finished, Hobbema landscape, hole punched light.Work 5252.A solar prominence and a chaparral hillside after the show, Turkish Karagoz shadow play.Work 5161.A mangrove root made of hot air balloon tethered to a cow, horned, expired polaroid, Rolleiflex.Work 5117.A fire exit green giant puffball after the fire, Corot landscape, before the storm.Work 5094.