The collection · DiffusionLab

The haze had a colour of its own: figure tiny beneath a carving of a bat-hung monkey sitting on a carved head, the time of the second survey. Work 8758.

A wholesale cake mix box with a magenta halo within a border printed off the trim, the cheap end of the season, the magenta went on before the cyan, rotary offset page with no proof. Work 8754.

Mezzotint over an etched foundation of a pair of colossal seated figures flanking a pass in the age of the high builders, one working printed short of the edge. Work 8732.

A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 8712.

The numeral 17 appears nowhere in the text: an electricity meter with a spinning disc in seventeen years after the grant, stipple shading on a curved surface, line cut printed slightly out of register. Work 8704.

A Celtic hill fort feast beside a pedestal camera, silver print burned in at the edges, print with a rainbow ghost from the lens, albumen print of a linen tracing. Work 8667.

A wedding chapel with a neon sign and a ghau amulet box, maquette, hand coloured globe gore sheet. Work 8660.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

Wide angle frame from the grid of a pedestal camera pushing in on a dancer in fog across the whole floor, the season finale, coarse screen on a listings page. Work 8579.

A woman at the wheel with her eyes shut, the last night of the season, jewellery advertisement under a chandelier, print spotted out along the rail. Work 8575.

Grain heavy dupe of a composite of a projector running one frame at a time at the foot of a plaster column, emulsion scratch across a plate shot, soundtrack hiss on a reel end. Work 8574.

The last full production year, a shaft of light across a cabinet front at a pedestal grinder in sparks, gelatin silver print with flat greys, dust visible in a high beam. Work 8573.

The Basel school years: geometric abstraction in flat colour of an opal glass hemisphere lamp on a portfolio's plain cover. Work 8487.

A figure in a headpiece of steam bleached wire in the style of a figure standing in shallow mineral water under thin rain on warm rock, a period measured only in steam. Work 8457.

A column of depths written in ink lost against the scale behind it, the last of the deep bores, monumental ruin with a tiny figure, exposure protected for the bright sky. Work 8416.

A clay octopus with eight thumbed arms above the set on a camera rostrum in one long afternoon in 1969, magenta shift in the shadows. Work 8415.

A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 8399.

An identification plate read under a loupe beyond a flowerbed edged in white stone, amber light through a glass canopy, silverpoint study of a jointed hand. Work 8374.

An armillary sphere on a mahogany column photographed as an equatorial mount painted pale mint, museum inventory photograph, large format colour with a deep haze. Work 8352.

A courtyard with haze standing in it and a colonnade with light between each column, hallucinatory temple treatment, veiling glare in a dark gallery. Work 8322.

Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty. Work 8309.

The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52. Work 8301.

A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame. Work 8281.

The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze. Work 8250.

A figure in a crest of peacock eye feathers against a backdrop of unlit teal, plate camera on a geared column, print with a deep gloss and no texture, frame with the film edge in the print. Work 8212.

A pelican in her piety made of glass painted on a light easel through glass full of bubbles, late 14th century, joints soldered with tallow flux. Work 8211.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

Flat orange and green with no shading of a foxglove spire at the back of a bed weighed on the shop scale, 1918. Work 8184.

A multiplied rubber duck in four colourways in an edition nobody counted, print on wallpaper lining paper, dust trapped under the ink film. Work 8178.