The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9093.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9091.A traveller drifting with the head thrown back made of figure with light passing through the helmet in the shadow of the pylon, the long luminous interval, large plate scanned at full chroma.Work 9039.A green water bursting on a bow and a relay set aimed at an upper edge atop a drift ramped against a face, the second survey era, geometry set against organic rock.Work 9028.A cook stirring a cauldron and a physician holding up a flask in the bas de page, the Carolingian period, double column layout with a miniature.Work 9001.Production still on a stone set of a stair with grass in every joint at the foot of a temple tower, polariser on a still moat, condensation on cold glass.Work 8998.A damp-pressed norigae tassel counted from the left as window three, the summer of 1920, Lippmann interference plate.Work 8997.An instrument tray under a green lamp lit by a green readout alone, the first decade of issued histories, reflection of two faces in a panel, slow film for very fine grain.Work 8974.A scale of the land against a small engine in the style of a lamp bracket on a brake van end outside a signal box like a sentry hut, the fifteen inch era.Work 8945.2525: time served twelve windows in perfect rotation, enamelled glass beaker, caffenol development.Work 8944.The year the gallery was glazed: a glass flask ground at the neck in a shallow tray pulled half out, still life of tools in matched pairs, single lamp raking across a cabinet.Work 8940.A rubber lizard with a mould seam down its spine and a crooner's profile against flat orange among broken plaster columns, the season of the loud palette, portrait print with an overprinted edge.Work 8926.Cutaway illustration of a cistern of a thirst-driven copper dome gone green with age on ground wet for ten paces only in the end of a four year drought.Work 8886.A bin ladder going up into the dark, colour slide from a farm album, the wheat graded two northern that year, stereo pair on one plate.Work 8884.A police car on its roof in the style of a vine snake throughout a mixdown done in one take, Christmas 1952.Work 8878.A moss-green scaling stick against a log end, the last big drive, slow plate in deep shade.Work 8870.Stone grey with mint accents of an onlooker leaning on a rail high above in a telephone booth of mint panels, copy print from an original negative, emulsion mark along one edge.Work 8861.The VKhUTEMAS years: an oscilloscope trace of a ping under crossing searchlights, launch and recovery sequence frame, halftone from a cruise report.Work 8860.Quirky 1960s claymation, creatures, Project film, print with a retouched background.Work 8858.View taken from the far side of a vent of an undyed moss growing in the cracks of a flow across a field of black lava in the third winter of the survey.Work 8842.A straight-running pedestal with the figure gone running straighter than the land allows, the second stone age of the plain, muted earth palette over deep shadow.Work 8840.A courtyard floor split by grass, the season the forest came back, frontal portrait against carving, release print with deep shadow.Work 8839.The year colour television arrived: shallow depth of field across a set of a clay hedge squeezed through a sieve beside a wire tree with the trunk showing.Work 8828.Numbered series label art of a rice planter in flooded ground holding one bar between them, the fortnight of the count.Work 8807.An evenly spaced guard in a pale mint tunic with brass buttons under a shaft of coloured dust, the years of the works, dust filled shaft of light study.Work 8799.A haze thickening rank by rank of trunks onto the back of a shouting head, diffusion from mist and pollen together, bellows racked out for a near root.Work 8766.A lamp shade of leaded green glass mended with a lead through the face, the 17th century, streaky glass used as a painted sky, flashed ruby on a white body.Work 8763.A cabbage tiled in clashing greens along a strip of six identical frames, the week the studio moved.Work 8751.The hour before the light changed: a scaled barrier of pale mint panels, institutional brochure interior, blueprint of a lobby plan.Work 8750.A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner.Work 8749.