The collection · DiffusionLab

A helmeted head seen from below and a newspaper page spread on a rail, magazine cover with an overprinted circle, over-inked to a solid black. Work 9207.

A Russian ice fisherman photographed as a Nepali singing bowl, neon tube sign, eight-stone chromolithograph. Work 9192.

A man in a striped shirt on two handsets at once, stereo pair survey photograph, the record was left in the sun, contre jour. Work 9178.

The age of the exhibition layout: a matchstick framed scale figure standing at a kerb, deadpan record of a built town, gelatin dry plate interior exposure. Work 9175.

Brochure studio photograph of a man in a sheepskin coat by a gold turbo hatch in September 1984, duotone in black and silver. Work 9163.

A bone-dry wind print rippling a brine sheet, the short season of good crust, aerial plate looking straight down on salt, tempera on a chalk white panel. Work 9155.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9116.

A man in a white suit skiing with a briefcase and a man in a silver ski suit toasting the valley, wire service colour photograph, Type C print on glossy paper. Work 9113.

Cyberpunk jungle airship. Work 9090.

The first survey season: deep focus wide with a small figure of a delegate with a moulded chest panel across a floodlit apron of rock. Work 9069.

Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9067.

The first year of the car phone, a man in a tailored coat holding two sets of keys beside a barrier at a members gate, silkscreen on mirror board, six by seven chrome on a light box. Work 9064.

A pair of figures holding one bar photographed as goggles with scratched lenses, high vantage frame of a formation, punched tape strip laid flat. Work 9062.

A traveller drifting with the head thrown back made of figure with light passing through the helmet in the shadow of the pylon, the long luminous interval, large plate scanned at full chroma. Work 9039.

A suited traveller with nothing behind but colour photographed as a traveller in a ribbed suit against turquoise, rendered with the highlights left open, internegative with a cyan bias. Work 9029.

A man in a red suit balanced on one ski, the last of the manual choke, promotional film frame with a lens flare, screen print in five saturated inks. Work 9024.

Coal board publicity photograph of strike pickets at the pit gate under the tipple in coal dust, hand tinted print of a colliery, pencil survey field sheet. Work 9022.

A half-derelict vent stack standing clear of a crest, the age of the sealed suit, modeller's prototype reference photograph, slow emulsion with deep blacks. Work 9009.

A groom's head in two clashing greys, portrait with the hair printed as a mass, the key was on the wrong hook, rephotographed print losing its detail. Work 9002.

A mission-belled flat horizon with one machine on it beside a smoke going flat in the rotor wash, the short season of clear mornings, banded sky colour treatment. Work 8980.

A dwarfed steward carrying a sealed white tumbler, the season of the standing watch, spotless colour internegative. Work 8973.

Navajo weaving of a man in a linen suit raising a trophy overhead, colour balanced to the grey ground, bulk loaded film in a reused cassette. Work 8971.

An autumn a hundred summers ahead, an audited stair core dropping into darkness crossing a floor of black stone, miniature effects photography. Work 8939.

A manipulator arm closing on a rock over four thousand metres of water in 1951, museum case documentation photograph, blueprint white on cyan. Work 8933.

A movie poster for a western nobody made, painted illustration, dust and sun. Work 8930.

An embossed man in a wide brimmed hat with a plume, the year the horn line grew, duotone portrait in gold and black, scanned sleeve with ink texture. Work 8920.

Flat screenprinted portrait in loud inks of a bus conductor's face in flat brown and a barber's face in two clashing inks, a sitting nobody was paid for, a fingerprint set into the pink. Work 8910.

Gouache elevation of a facade of a candlewick-covered glacier tongue behind a pastel facade, the week the expedition arrived, pastel chalk on cream stock. Work 8898.

Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.

Fat slab type with a gold rim of a band name in swollen bubble letters in matching white suits, the gatefold years. Work 8885.