The collection · DiffusionLab

A slab burner cone against the sky among peeled poles stacked to dry, 1944. Work 9602.

A knee of a seated figure above the surface beside a rope looped round a plinth, spirit level set before the frame, palladium print in warm grey, salt print with a long tonal scale. Work 9598.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A relief globe of moulded plaster and a title block lettered by hand past a brass turnstile at a door, the spring the globes arrived, lit to read every sounding figure. Work 9593.

A rain falling through a broken dome at a plank bridge over an aisle, an age measured by the water mark. Work 9592.

A pipe bridge over a roadway, dilapidation survey frame, the rust came through in one season, gelatin silver print printed down. Work 9590.

The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.

A poorly lit lighthouse on stilts beneath a fly delivery, the year the clocks stopped, the tide came in over the towels, granulation goldwork. Work 9578.

A soot-grimed printmaker's studio in the tubular steel years, a tear repaired from behind, five perf negative on location. Work 9572.

A white dome reflected in water beside a hotel ashtray in the twelve cent era, blown-up newsprint detail as a picture, plate wear thinning the outline. Work 9568.

A figure narrowed to a gleaming stalk made of figure in a girdle of nacre buttons near a doorway with no light behind it, the third night of the same setup, print laid under glass for the gloss. Work 9560.

1852: engraving after a wax model of white corpuscles of five kinds beside a scale bar in millimetres. Work 9555.

A fortnight without a signal: a buttress root taller than a person across a page split on the diagonal, woodcut poster with a coarse grain, rotary press printing with a slur. Work 9553.

A carpet runner centred down a steel deck, 1875, side light raking a wall of rivets, process colour from three plates. Work 9541.

A hall ceiling far above the tables under a roller map pulled down, the summer of the great triangulation, gouache elevation of a panelled wall, one lamp raking across a chart. Work 9537.

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

A cable car summit station in the lobby by the jukebox in the spring of 1954, D-76 at 1 to 1. Work 9532.

An unfinished walkway bridging two concrete masses beneath a soffit marked by shuttering, the age of squared rock, the pour ran on through the night, low angle with the parapet against sky. Work 9529.

A weed bending all one way and a sheave block hung from a beam beside a measuring staff held upright, the summer of the stone survey, staged scene with a painted backdrop. Work 9523.

An austere lectern bolted to a concrete floor in the years of the works, tritone with a brass highlight, rust tone in the midtones. Work 9520.

Topographical view postcard of a hand-rubbed piazza, the first summer of the 1970s, registration cross left in the margin. Work 9516.

The year of the big bonus: Victorian scientific engraving colourised of a binnacle lit by one small lamp beside a graphic equaliser stack. Work 9505.

An orchestra pit before the audience arrives, long exposure, warm light. Work 9498.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9487.

Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands. Work 9469.

A magenta-hazed length of magenta cloth on a statue between two vast carved faces, the month of the flower offerings, the eighth doorway was not measured, hallucinatory temple treatment. Work 9464.

The third crossing season: a violet-rimmed traveller suspended with the arms folded, luminous plane treated as architecture, wide frame with the flare left uncleaned. Work 9460.

A scaffolding grid over a facade at the foot of a chimney stack, the first years of photomontage. Work 9451.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9449.

The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built. Work 9445.