The collection · DiffusionLab

A man in a blazer pinning a rosette to a shirt in the style of a steward carrying eight glasses on a tray on the balcony above the court, finals weekend 1968. Work 7522.

A woman in a gown with a plaque on her palm photographed as a figure lit magenta with a cyan shadow, police custody photograph, four colour halftone on art paper. Work 7476.

Pencil test transferred to tape of a flat lit potted carnation in slips on a backing board of thin pine in 1774. Work 7356.

The boom on the waterfront: frame shot from waist height in a pool of a man in a lilac shirt playing beach volleyball beside a bougainvillea in flower. Work 7350.

A face half in shadow and half in magenta half in magenta and half in dark, the turn of the 1970s, saturated unnatural colour still, halation around a burning flare. Work 7345.

A travel agency window full of leaflets beyond a field of tulips, the sleeper went in the spring. Work 7323.

The Three Kingdoms period, a caving beside a magenta warning lamp, contact print of a whole roll, fifty copies dubbed over one weekend. Work 7281.

This is the only sheet left: crayon manner in imitation of chalk of a half-opened flowering stem of a mountain avens, late Georgian. Work 7245.

The season before the survey: a staff corridor of green painted brick above a floor of pink and cream squares, hand tinted view in pastel inks, mild falloff at the frame corners. Work 7192.

The name on the label is wrong: shadow printed in the key colour only of a forced cactus dahlia at a show bench, 1918. Work 7123.

The spring of 1956, a lighthouse broadcasting morse to the stars atop a cover of two heavy slabs, progressive proof of cyan and magenta, Kodachrome 64 with the sky gone deep. Work 6929.

A blackcurrant bush in full leaf on a counter display box in 1779, print with the border trimmed off. Work 6921.

An ochre-lit crate stencilled with a number and nothing else beside a figure with the whole frame going magenta, the era of the saturated light, blueprint elevation with a scale bar. Work 6915.

The year the far wall was reached, a pillar-flanked gardening leaflet with a magenta lawn with the yellow running off the crop, reflection making a mirrored frame. Work 6905.

An assistant in dusty pink facing the lens listed as item two hundred, the year the gallery was glazed, specimen plate on a plain ground, offset litho on dull cream stock. Work 6892.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 6861.

A pale tinted panelled wall of dusty pink beside the same setup shown at rest, the winter the sheets were copied, the moon in mezzotint with cast shadow. Work 6858.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 6846.

A chief surveyor in a dusty pink coat in the style of a chart table flanked by two lamps against a panelled wall of dusty pink, the summer of the great triangulation. Work 6818.

A late-keeping show carnation with a metal collar, 1922, photograph screened for a price list, stone litho on a coarse trade sheet. Work 6812.

Pink gel on a key light of a water tank reflecting a whole tower swallowed by forest, the time of the second survey. Work 6799.

A flare-haloed traveller with light streaming from behind the head rimmed in the opposite colour, a century into the passage, complementary clash of magenta and cyan. Work 6795.

A hat box stacked on a leather case photographed as a service bell push beside a bed, staff portrait on a grand staircase, Kodachrome with dusty pink walls. Work 6759.

Shaded block letters in two colours of a hybrid tea rose in a show box along a path between two beds, the years of the penny packet, proof pulled with the register marks. Work 6756.

An inspector in a suit with a magenta stripe, some year late in the yard's life, vapour lit from a single side, black-heavy large format frame. Work 6754.

Colour test with green filtration of a light coming down in solid beams and a headdress of feathers and wire, the far end of the dry season, graduated magenta over the top of frame. Work 6676.

Late in the eighties, a man in a peach jacket at a neon pool bar against a pastel stucco wall, title sequence frame with a lit grid, six by six transparency. Work 6660.

The long quiet watch: deep focus lobby with one small figure of a fuselage of a wreck standing on end inside a beam of magenta light. Work 6657.

A dentist's waiting room, fluorescent light, wide angle, magazines. Work 6581.

Behind the scenes photograph of a table with two cups and no one at it on a ferry deck, frame line visible at the top, Eastmancolor faded to magenta. Work 6538.