The collection · DiffusionLab

Gouache heightened with gum arabic of a berry of a yew on its twig in 1819, mezzotint on soft paper. Work 8045.

Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it. Work 8036.

1797: a lichen planted privet hedge of clipped flock, plate finished in nine colours, magenta creeping into the slates. Work 8009.

Pulverised galls of the oak in a bowl in 1652, quarto leaf tipped into a ledger, fast panchromatic film at ASA 400. Work 7957.

Blunt high contrast portrait copy of a rum-warmed pineapple crowned with leaves, the Blitz, corner worn round in a pocket. Work 7942.

A winder drum with wound rope inside the winding engine house, 1911, mining engineering journal plate, two colour offset print. Work 7921.

Worm's eye trunk composition of a bamboo-hemmed wet rock face under dripping vine past an offering in a tree fork in the short tropical dusk. Work 7914.

A spent thorned stem of a sweet briar in 1807, plate printed in bistre, sheet tanned where the mount touched. Work 7913.

Skin patch samples under a lamp and a transparent poncho over a work suit alongside a cart heaped with greens, the first decade of the night economy, high budget genre film frame. Work 7884.

A freshly painted red thousand paper cranes toward a sun that fills the sky, the World Cup summer of 1982, cut glass vase. Work 7856.

Ink painting manner on soft paper of a frost-rimmed stack of sacks roped onto a frame, the age before any track came, hand-rubbed with a bamboo baren. Work 7839.

A long-standing hollyhock against a fence, just after the war, letterpress on unbleached stock. Work 7819.

A glassware advert with a cyan flare, two-up job printed on one sheet, the press ran forty thousand before anybody said, ink on the back from a stacked pile. Work 7807.

An espalier pear on a warm wall under a hat brim in strong sun, 1914, ornamental border struck from brass rule, gloss varnish over a flat panel. Work 7788.

A trap leaf of a Venus flytrap held open with the root still attached, the last years of the copperplate, dry brush over a broad wash, nature print in green and brown. Work 7745.

A seeding flower and pod of a wild mustard beside a cut fig showing the inner flowers, 1868, lithograph on stone. Work 7710.

A bullfrog catching a dragonfly couched in gold thread, the first spring of the 1950s, water surface rendered as a flat plane, lead white heightening over colour. Work 7705.

A tardigrade crawling through moss made of figure on a boardwalk over a mud pool under a striped awning on a terrace, the middle years of the 1980s, rotogravure page in a hire catalogue. Work 7643.

A hygrometer with a human hair movement, the spring the keys were renumbered, wide angle held perfectly square, colour transparency of brass and glass. Work 7634.

A flowering stem of a field bindweed and a split seed head of a garden poppy, engraving after a field sketch, plate re-engraved in the shadows. Work 7621.

A teapot of hammered brass in the style of a rug of interlocking rectangles against a glazed studio wall, the Basel school years. Work 7594.

Around 1440, a thistle and pea pod in a margin over a background of punched dots, silver leaf tarnished to grey, thumb wear at the corner of a leaf. Work 7568.

The bell was lowered on the hour: a flowering stem of a chicory in a summer that was never recorded, haze made visible in straight beams, salt-spotted silver gelatin print. Work 7531.

1813: steel engraving printed sharply of a flowering spike of a great mullein beside a scalpel and a pair of forceps. Work 7502.

A spa colonnade with palms in tubs on a quay of pale stone, the 1937 season, brochure cover in flat colour, airbrush over a masked frisket. Work 7480.

An ordered potted palm in a brass planter beyond a colonnade of eight columns, the quiet tenancy, commissioning day interior record. Work 7467.

The 1938 edition, a hobnailed mouse in a corn stook holding hands in a long line, woodcut with a bold black key line. Work 7465.

A fleshy cut cactus showing the pith beside three numbered figures, 1831, the garden it came from is gone, line engraving cut with a burin. Work 7462.

A miniature forest under a bell jar, soft light, moss. Work 7459.

Stillness photographed as ceremony of a crew of four on a terraced step and a comet tail, the season of the standing watch, size bloomed across the sky. Work 7453.