The collection · DiffusionLab

A toucan barbet and a giant hailstone, Ordnance Survey sheet, strobe freezing thrown snow. Work 8560.

Wide screen exterior with a tiny train of a warning post with a numbered plate, carbon print with a heavy shadow, halftone in a handbook page. Work 8533.

A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails. Work 8515.

A figure with its face weathered to nothing beside a bridge chapel over a pier, shift lens keeping the pylon vertical, print held back in the lit stone. Work 8511.

A fan of sidings under a floodlight, cine film frame in 16mm, my father booked on at four, enamelled steel sign panel. Work 8485.

A step-timed gauntleted warning lamp turning on a pole, the week nothing was recorded, flat lit group photograph, negative fogged at one edge. Work 8449.

1887: large format with tilt corrected verticals of a pair of matched viewports facing black water against a wall of coded pipework. Work 8440.

Shellacked field lines around a bar magnet in late in the gas lit century, printed on paper that has gone slightly grey, ink on squared paper from a notebook. Work 8436.

A motel sign at the edge of the desert, kodachrome, saturated, midday. Work 8423.

Flat colour lithograph primer illustration of a lifeboat on its slipway and a crest above a helm and mantling, around 1150, streaky rolled glass in lead. Work 8421.

Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty. Work 8309.

Blown-out reproduction of pasted paper of a photocopied flyer with a black border beside a scraper leaning on a pole, the year of the tear-off strip, ink run through by a night of rain. Work 8302.

Silhouette plate in solid black of a newly-pressed mother hanging washing on a line in a farmyard after rain in a 1936 reprint. Work 8297.

A factory floor annular eclipse through clouds over a docking ring with its guides lit, New Year 1950, folding bellows camera snapshot. Work 8269.

The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze. Work 8250.

The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

Test footage of a walk cycle of a lamp warmed plasticine doctor with a wire stethoscope, a wet Tuesday in 1966, lab scratch across a bright area. Work 8199.

Day-glo lettering over a night sky of a twin-cam wind machine lifting nine capes, a session in 1975, spot gloss varnish on a logo. Work 8181.

An organ pipe cactus tethered to a mast in the mist, the Roaring Twenties, seed identification chart, 6x9 rollfilm transparency. Work 8126.

A figure standing with both arms raised beside a pole with a lamp on it in the quiet end of a long night, archival positive with a hot sky. Work 8125.

A tide-slowed sponge hook on a short pole, 1888, orthochromatic plate through green water. Work 8113.

Record illustration of a ruined interior of a shaft-lit drum of a column resting on the floor, the third rise of the level, wood engraving on a fine block. Work 8058.

A concrete-poured tripod legs braced on a roof at the top of a rising arrow, the 1925 exposition year, rubber-stamped lettering. Work 8052.

A sea cock with a red painted handle, Victorian scientific engraving colourised, the manifold wheels were all set open, magnesium flash inside a steel space. Work 8034.

Animation cycle repeated four times of a Rexine paper effigy burned for ancestors, Easter 1979, polarised sky above pale ground. Work 7922.

The tail of the crowded decades: two-colour neon key lighting of a gutter running with pink reflected light up a bamboo ladder against a sign. Work 7905.

The season of standing water: a hand print in clay on a trunk within a column of green smoke, silhouetted tower composition, warm filter on grey stone. Work 7813.

Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7769.

1906: a lamp-yellowed barrels ranged along a quay, harbour plan in ink and wash, negative with rust marks from a tin. Work 7768.