The collection · DiffusionLab

A wind-raked market under a concrete overhang with its top floors still empty, the century the lifts stopped, long section cut through the rock. Work 8078.

A grey-going staple row along a telephone pole peeled back to the layer beneath, the winter the paste froze, photograph of a photocopy on a wall. Work 8041.

Paper peepshow of a firmly outlined mosquitofish beside a white convertible at a kerb in the autumn of 1986. Work 8008.

Aerial survey photograph from low level of a straw-flecked row of five elevators on an elevator row beside a grain elevator driveway in harvest of 1928. Work 7963.

Cross-hatched shadow under leaves of a stagecoach on a dusty grade, graded airbrush sky in three passes, ink starvation in a large solid area. Work 7930.

A town below reduced to pale blocks in the style of a drive gear in an oil bath toward a vanishing point up a track, the season after the closure. Work 7895.

Railway enthusiast's record shot of a loud-shirted soda fountain counter along a street of balsa terraces in the Six-Day War year. Work 7893.

The second felling: a mist-filled hollow way worn below the root line, six-step tonal range in warm greys, telephoto at four hundred millimetres. Work 7866.

A town square with the shops shut, kodachrome, midday, nobody. Work 7847.

A baseboard of chipboard on trestles in a forced perspective street, tape wear on a much shown reel, hobby library print with a stamped head, stopped right down for the whole street. Work 7845.

Desaturated palette with one hot colour of a man in a checked shirt with three phones ringing under a haze of cigarette smoke, four decades under the upper city, frame with a raster line pattern. Work 7833.

A primary coloured van doors open at the kerb near a turf roof sunk in a bank, Christmas 1968, wide screen exterior at midday haze. Work 7716.

A reception road with an arrival standing on an engine release road, 1911. Work 7671.

A luggage label pasted on a trunk beside a painted signal post, endpaper map illustration, enamel on steel with a chipped edge. Work 7612.

An approach road running straight at a wall, the era of the great slabs, long lens compression of a wall, muted colour transparency. Work 7433.

Registration soft on a painted backdrop of a painted backdrop of a village street with one button eye hanging by a stitch, two weeks in 1967. Work 7430.

A thumbed milk churn lorry, the Moscow Olympics year, cross-processed for orange and cyan. Work 7413.

A pylon of battered stone flanking a way over a culvert under a raised road, an age remembered by its kerbs. Work 7334.

A tall-headed procession seen from a first floor window by a gas lamp over a loom, a cold morning with no wind, frontal composition with the line centred. Work 7297.

A reckless reporter with a flashbulb and a fedora in a wet March in 1951, flat proof before the black went down, creased spine with white breaks. Work 7292.

A thumb-worn atlas and axis articulated, the Carnaby Street years, veiling glare across the shadow side. Work 7199.

A family car packed for a holiday, kodachrome, driveway, 1968. Work 7177.

A diner menu board at closing time, neon, wet pavement reflection. Work 7157.

We swept the bin out by hand: a grid road running out to the horizon in the first week of threshing, grading standards reference plate, glossy print with a white border. Work 7141.

A half-visible line of stones running out of frame dwarfed by the plain it sits in, the last years of the overland crossing, measured elevation of a well head. Work 7140.

An oppressive fin rising from a gravel plain toward a mass that never comes closer, after the third expedition returned, the base went deeper than the sounding, scale read only by a human speck. Work 7102.

A block standing alone on open hardpan and a lift shaft with its doors removed at the edge of a deep road cut, the fourth construction decade, static frame with a symmetrical mass. Work 7076.

Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper. Work 7075.

A fox looking back over a hedge against a pale washed sky in early 1930s, soft graphite on laid paper. Work 7043.

Perspective set on the path's centre line of an avenue of trunks receding into gold haze with one ear sagging under the lamp, the third age of the great trunks. Work 7035.