The vintage era of AI art, and its electric sheep.
The collection
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A geiger counter over bare ground in Del Norte County, headlights raking a field, Tri-X pushed two stops, low sun behind the subject.Work 6541.A refinery on the horizon on a ridge above the road, the second generation after the fall, Kodachrome slide, handheld from a moving vehicle.Work 6534.Camera obscura view of a troglodyte village obscured by somebody's elbow, the year the smokeless zone came in.Work 6502.Small town newspaper photograph of a hump in the water offshore on a two lane highway at night, 1995, print made on grade 4 paper.Work 6488.A stripped-down pursuit sedan with an exposed blower in the flare of a burning stack, the years after the water ran out, last water for two hundred miles, high-contrast colour photograph.Work 6470.A roll of caps in a windmill, the spring of 1954, Ordnance Survey field record photograph, an umbrella to the left.Work 6421.The end of the age of engines, a dust-caked sentry on a water tower platform a day out from the refinery, aerial photograph.Work 6413.A convoy strung out across a pan in the shade of a tanker trailer in the age of the welded machine, telephoto compression of a convoy.Work 6348.An earnest shape over a hayfield beside a photographic analyst at a light box, the summer of 1967, topographic map detail.Work 6331.Freeze frame from a broadcast of a centre pivot irrigator crossing a field on a river bank in July, the year the service station opened, yellowed print from poor washing.Work 6141.A survey stake in bare ground made of circle of stones on a hillside along a Roman road, the summer of 1969, onionskin second sheet.Work 6130.A sentry on a water tower platform across a field of ventifacts, the far side of the collapse.Work 6095.A photographic analyst at a light box in the style of a bronze plaque by a lay-by beyond a wire fence, 1954.Work 5962.A stripped-down welded signpost with no sign left, the second generation after the fall, panoramic photograph, warm highlights and cool shadows.Work 5944.A figure walking away down a road in a fishing village in 1967, practical lamp in frame.Work 5895.A shepherd counting sheep through a gap in the style of a Vietnamese phin filter on a gravel sweep, the turn of the 1940s.Work 5888.Instamatic snapshot of a Scrambler in full swing and a rain on a painted ride front, 1957, Kodak Tri-X.Work 5879.A hardpan flat with no shade at all and a sedan cut down to a bare chassis on a bridge over a dry river, a future with no spare parts, contact sheet frame.Work 5831.Super 8 frame of a trailer sheeted in corrugated iron and a windmill pump over a dry bore, the last stretch of the old century, day for night exposure.Work 5797.An airfield with one aeroplane, kodachrome, heat shimmer.Work 5724.New German Cinema frame of a car stopped on a cliff road in 1963, dust in the projector gate.Work 5685.A drive-in cinema before the film starts, kodachrome, dusk.Work 5537.A storm arriving over a flat landscape, cinematic, beautiful.Work 5499.Giorgione pastoral of a haboob in a Mauritian sugar mill, Fernand Leger canvas, the armistice, amber monochrome.Work 5446.Feel the sound: an incinerator during the Grand Tour, first day cover.Work 5444.A storm arriving over a flat landscape, long exposure, dark sky.Work 5359.A hedgerow in the style of a tailor's shop, early afternoon light.Work 5333.A bus stop on a coast road, kodachrome, wind, salt.Work 5293.A weighbridge with nothing on it made of set of jacks, half-finished, Hobbema landscape, hole punched light.Work 5252.A storm arriving over a flat landscape made of holly, tarnished, painted illustration, cocktail bar blue.Work 5084.